An ambitious but unsuccessful design combines three levels of narration in this exploration of the concept of flight in the animal kingdom. Jenkins (Bugs Are Insects, p. 665, etc.) and Page create a basic storyline with double-page spreads each featuring one creature in flight, illustrated with Jenkins’s brilliant, realistic cut-paper collages. The top of each spread includes just one or two sentences set in large type, which could be read by young readers themselves or by an adult as a read-aloud. The second layer of narration is set in smaller, italic type, serving as captions for the illustrations. The third, more problematic layer of narration goes deeper in some related direction (or in several directions), for example, explaining the mechanics of a hummingbird’s wing movement. These related text blocks are set in even smaller type accompanied by small, computer-generated illustrations. A final spread offers an additional paragraph of information on each of the animals covered. A nonfiction work for children can’t be all things for all ages, and this effort tries to be both a read-aloud for younger children and a nonfiction title for older ones, failing on both levels. The print in the third level of narrative is really too small for anyone to comfortably read, and the effect of all the levels of information, three different type faces, and the cluttered page design serves to dilute the impact of the attractive cut-paper collages. This overloaded concept never gets off the ground. (bibliography) (Nonfiction/picture book. 4-8)
Pub Date: Oct. 1, 2001
ISBN: 0-618-12351-2
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
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BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
BOOK REVIEW
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