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THE SUNDAY MACARONI CLUB

Hilariously cynical take on small-time ethnic politicos and other craven creeps in the City of Brotherly Love, from an award-winning former Philadelphia Inquirer columnist. Abandoning the mawkish sentimentality of Third and Indiana (1994), his mean-streets social-realist debut, Lopez now goes for a fiercely funny epic that pits the feckless members of a creaking, contentedly sleazy old-time South Philly political machine against idealistic, terminally beautiful Assistant D.A. Lisa Savitch and her street-wise, ``part-time'' FBI agent sidekick, Mike Muldoon. Lopez uses a deliriously complicated plot to deliver a stinging satire. It seems that former US Senator Augie Sangiamo, who listens to Sinatra while chowing down with his cronies on pasta and ``gravy'' every Sunday afternoon, wants to maintain his weakening hold on his turbulent, working-class neighborhood by using illegal campaign funds drawn from Atlantic City casinos to buy elections for the grandly corrupt State Representative William ``Ham'' Flaherty and Common Pleas Judge Isadore ``Izzy'' Weiner. The ambitious D.A., who once sent Sangiamo to jail, wants Savitch, an athletic, cigarette-puffing import from Boston who can't quite manage the local patois, to ``bring me the heads of these dinosaurs so we can stuff them, mount them and put them on display at the Academy of Natural Science.'' Savitch is more interested in investigating a release of toxic fumes from the city's oil refinery, and, meanwhile, Muldoon can't keep his eyes off Savitch's legs. Throughut, comically vile insiders square off against stiff, feckless outsiders and only the morally upright seem to suffer. As Muldoon says, ``we end up with bribery, a white-collar scandal, a public health epidemic, two murders, thirty-seven felony counts. Where's our bonus?'' While it lacks the depth of Tom Wolfe's Bonfire, Lopez's scathingly sarcastic top-to-bottom exploration of urban corruption overwhelms with dead-on characterizations and lingering belly-laughs. (First printing of 50,000; $50,000 ad/promo; author tour)

Pub Date: June 1, 1997

ISBN: 0-15-100264-9

Page Count: 384

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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