THE ALPHABET FROM A TO Y WITH BONUS LETTER Z!

This high-profile crossover will slide effortlessly onto the bestseller lists, but it’s not likely to win its creators many new adult fans—or any child ones. Showing a fine disregard for foolish consistencies like end words that actually rhyme consistently, Martin fashions surreal situations in 26 couplets, each paired to a literal illustration from Chast strewn with both her customary cast of homely, anxious figures and other words or items that feature the selected letter. Though some spreads have a certain verbal and visual bounce—in the art for “Pedro the puppy piled poop on his paws / And Papa dog published his photo because,” for instance, the peeved paternal parent brandishes a copy of “Popular Pooch,” as mama dog praises a parsnip pizza—more often the captions read like random words strung together. Furthermore, some of the image choices, such as the 107 (or so) hunchbacks in Henrietta’s hairdo, or the drunk wandering past David the dog-faced boy, skate to the edge of poor taste. A gallery of accented letters on the endpapers provides some added value, but not enough. Like Shirley and Milton Glaser’s The Alphazeds (2003), any resemblance to a title for tots is coincidental. (Picture book. Adult)

Pub Date: Oct. 23, 2007

ISBN: 978-0-385-51662-4

Page Count: 64

Publisher: Flying Dolphin/Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2008

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While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the...

HALLOWEEN ABC

An abecedary of spooky or autumnal delights for the littlest readers.

Each letter of the alphabet is highlighted on a single page, the upper- and lowercase letters appearing in the upper left-hand corner, while the object is named at the bottom or in the upper right. Ho keeps her illustrations simple and places them against plain, brightly colored backgrounds, keeping them accessible to those still learning about Halloween’s many icons. The almost-fluorescent orange cover is sure to attract attention, and the palette of black, purple, orange, yellow, and radioactive green enhances the Halloween mood. But while many of the chosen items will be expected—bats, ghost, haunted house, owl, skeleton, vampire, witch, zombie—others are rather odd choices. J is for “jump,” not jack-o’-lantern (“pumpkin” is illustrated with a jack-o’-lantern); K is for a mostly black “kitten” standing in a coffin; and N is for “nightmare,” which is virtually impossible to express visually for this age group without provoking said nightmare. Here, a lavender-skinned child (zombie?) in pajamas and nightcap has arms raised and mouth open wide in surprise—perhaps in response to the mummy across the gutter? The tough letters use “quiver,” spider-decorated “underpants” on a monster, and “extra treats,” the x underlined.

While the ghoulies here are more cute than scary, “jump,” “quiver,” and “run” will probably get across the idea to even the youngest listeners that Halloween can be scary. (Board book. 2-4)

Pub Date: July 18, 2017

ISBN: 978-0-7636-9527-9

Page Count: 28

Publisher: Nosy Crow/Candlewick

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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A comical, fresh look at crayons and color

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THE DAY THE CRAYONS QUIT

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color . (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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