Real-life fears of government snooping under the Patriot Act will probably send this case to the top of the charts, though...
Attempting to defend his latest client charged with murder, Paul Madriani (The Arraignment, 2002, etc.) is hamstrung by none other than the U.S. government.
The San Diego County DA’s office maintains that Emiliano Ruiz, the ex–Army sergeant who acted as software queen Madelyn Chapman’s bodyguard before she fired his company, shot his ex-client twice in the head. They have the murder weapon, an Army .45 issued to Ruiz; they have videotape of Madelyn and Ruiz making whoopee in her office; they have film showing him apparently stalking her shortly before her death. What Madriani has is nothing more than a suspicion that Isotenics, the company Madelyn ruled, is sitting on a nasty secret that supplies the real motive for Madelyn’s murder. Isotenics, he’s convinced, has stolen Paradize, a program capable of threshing through vast amounts of raw data in search of patterns that might indicate terrorist activity, from bankrupt engineer James Kaprosky, tweaked it enough to release it as Primis and licensed it to the government, who under the Information for Security Program is using it to spy on not only its own employees but—hang onto your hat—every citizen who’s ever logged onto a government Web site. Naturally, Madriani’s subpoenas for Madelyn’s business records are vigorously opposed by lawyers representing both Isotenics and the Feds. After an interminable opening movement, Madriani has nothing better to do than engage in endless courtroom skirmishes while he waits for a ruling on his fishing expedition. As usual, Madriani shines in the courtroom, and the last surprise is unguessable. But was it really fair to make us wade through so many red herrings and so much blather to get there?
Real-life fears of government snooping under the Patriot Act will probably send this case to the top of the charts, though it’s far from Martini’s best work.Pub Date: July 26, 2005
ISBN: 0-399-15092-7
Page Count: 432
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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