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CITY OF ANGELS/DEAD ON ARRIVAL--CODA BOOK 1

A story like wildfire—starts cool but only gets hotter.

In McManus’ debut thriller, a blogger whose writing has been tracking an arsonist-turned-killer may be so close to his subject that he becomes a target.

Blogger Danny Kasho is the one who gave the Angeles Arsonist his name, dubbing the unknown individual known for setting wildfires in California. After 10 months of idleness, the arsonist returns, but this time there are five bodies, and it’s clear the arsonist is also a killer, having used a flamethrower to trap the victims in a cave with his latest inferno. Danny may have a scoop when friend Mark Pavelko, a U.S. Forest Service special agent, enlists his help in questioning a person of interest, arson investigator Mike Cruz. As it turns out, Mike suggests that Mark is the arsonist. The killer, meanwhile, following Danny’s blog on CODA.com, may be going after the journalist next. McManus’ thriller keeps a leisurely but engaging pace. Danny, for example, in true-to-life form, has to wait for most of his information, like the fact that the vics were Pepperdine students and there may have been a sixth person, who survived. McManus slowly and deliberately builds suspense, providing readers with the killer’s perspective as he posts comments on Danny’s blog. Danny, who has good reason to suspect both Mark and Mike of being the Angeles Arsonist, has a delectably murky back story: he knows it’s only a matter of time before someone realizes he’s the son of “Killer Kasho,” a murderer who was imprisoned years ago. Details of Danny’s family, including his mother’s abandonment of her children, gradually come to light as the story progresses. The downtempo plot pays off, making unexpected moments all the more startling, particularly when Danny comes face to face with the arsonist, in full fireman regalia, aiming a homemade flamethrower right at him. On the lighter side, heated banter between Danny and rival blogger Ursula occasionally goes on for too long. But McManus scores with his satire; Danny’s video chat appearance on an overwrought cable show is especially hilarious.

A story like wildfire—starts cool but only gets hotter.

Pub Date: Aug. 18, 2015

ISBN: 978-0-9964485-0-5

Page Count: 452

Publisher: CreateSpace

Review Posted Online: Sept. 21, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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