Next book

THE BLACK O

RACISM AND REDEMPTION IN AN AMERICAN CORPORATE EMPIRE

A startling journalistic effort by first-time author Watkins, looking at Jim Crowera hiring practices at a national restaurant chain. Ray Danner, the diminutive head of Shoney's, spent most weekends flying to his restaurants across the country. His inspections were the stuff of legend—he was rumored to pitch in if the restaurant was busy, and he made time to speak to all the staff. He also, according to the managers under his rule, made sure to let them know if there were too many blacks working in a particular restaurant—``Lighten the place up'' was a favored euphemism for this policy. The chain's upper ranks instructed managers to cut back on black staff by sharply reducing their work hours, and promotions of black workers were all but forbidden. In April 1988, managers Billie and Henry Elliott were fired for refusing to comply with Shoney's racial policy, and the incensed couple went to Tommy Warren, a football star turned lawyer who agreed to take on the company's large and well-paid legal team. Warren found thousands of black workers who had been humiliated and fired from Shoney's restaurants, and more, like Josephine Haynes, whose applications for work had been ignored: Managers were instructed to blacken the o in ``Shoney's'' on the application form if the job-seeker was black. The class-action case (on behalf of 21,000 victims of discrimination) languished for years under Clarence Thomas at the EEOC, though the numbers of those discriminated against by Shoney's kept growing. At the same time, the Supreme Court whittled away at the legal standing of discrimination suits, forcing Warren to focus almost solely on applicants who had been unfairly denied work. Nevertheless, Warren prevailed and settled the case with Shoney's in 1992 for $132.5 million, the largest such settlement in US history. An unsettling, fascinating revelation of a truly wretched corporate environment and a rare triumph for the underdog. (9 b&w photos)

Pub Date: Oct. 1, 1997

ISBN: 0-8203-1916-3

Page Count: 296

Publisher: Univ. of Georgia

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

Categories:
Next book

IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Next book

A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:
Close Quickview