by Steve Yarbrough ‧ RELEASE DATE: Jan. 23, 2004
Philosophically troubling, artistically thrilling, and thoroughly impressive.
Stark, haunting third novel by Yarbrough (Visible Spirits, 2001, etc.) limns a Mississippi Delta community whose destiny is grimly shaped by the war thousands of miles away.
In the summer of 1943, Dan Timms drives a “rolling store” for his shady uncle Alvin, selling snacks and supplies to local farmers while waiting to turn 18 so he can enlist. His father recently committed suicide, perhaps because Dan’s mother was sleeping with Alvin, but more likely because the WWI veteran remained shattered by his combat experiences. Dan’s childhood buddy Marty Stark, sent home from Europe to guard German soldiers at a nearby POW camp, is even more obviously traumatized; he’s a time bomb waiting for the fuse to be lit. L.C., the18-year-old African-American who drives Alvin’s second rolling store, barely acts servile enough to satisfy the white folks and has no intention of donning a uniform to fight for his oppressors. No one’s under any illusions about what life in Mississippi is like for L.C.’s people. “If you were colored, would you die for this country?” Alvin asks the white head of the draft board. “Not unless somebody shot me,” the man replies, grinning. In Yarbrough’s vision, a brutal, unjust social order imprisons blacks and whites alike; among the many superbly complex characters is a desolate father, grieving for his son killed at the Kasserine Pass, who’s also a vicious racist. Dark though the story is, right down to its apocalyptic climax at the POW camp, the author’s unsentimental compassion and technical mastery make for an exhilarating read. Yarbrough cogently develops his themes within a compelling plot and a rich portrait of the small town of Loring, where everyone knows everyone, but no one is merely what they seem. War changes a man into another person, and the enemy is simply a guy on the wrong side. The only meaningful difference, the tortured Marty concludes, is between human beings who are alive and those who are dead.
Philosophically troubling, artistically thrilling, and thoroughly impressive.Pub Date: Jan. 23, 2004
ISBN: 0-375-41478-9
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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