A smart, smoothly written horror tale in the King vein.
In Zell’s (Urban Limit, 2016, etc.) somewhat nostalgic horror novel, a young boy is far more than he seems.
This tale begins innocuously enough, in the mid-1960s, with single mother Brit Helm moving from Phoenix to the suburban town of LaVista in Southern California. She’s doing her best to be both parent and friend to her 12-year-old son, Michael, but they’re still grieving the loss of Michael’s older brother, Nicky, and their new home, choked in dust and mildew, is a far cry from their previous one, with its swimming pool and mountain view. Michael is also now the new kid in LaVista, facing the usual social minefield, which includes a pretty surfer girl named Sandy Randall. Brit has her hands full, too, as she tries to settle in, find a good job, and keep a watchful eye on Michael. Subtly and gradually, Zell makes readers aware of the fact that Brit’s worries about her son extend beyond mere protectiveness: “From the moment they’d placed Michael in her arms, she knew this one is different.” In carefully doled-out increments, we begin to learn the nature and extent of that difference, interwoven with the stuff of ordinary childhood as Michael experiences a crush, obsesses over movie monsters, and keeps an eye out for potential bullies. This is classic Stephen King territory—indeed, this book will certainly appeal to King fans—and Zell knows his way around it, gradually darkening the tones of his plot as it progresses toward a climax that effectively blends psychological and supernatural elements. The book is also saturated with the music of its 1960s period. Brand names are highlighted with a touch too much regularity—the kids ride Schwinn bicycles, of course; Michael sets his record player on a stacked set of the Encyclopedia Britannica, and so on. That said, Zell’s enthusiasm for his material wins out over mere box-checking.
A smart, smoothly written horror tale in the King vein.Pub Date: June 30, 2012
ISBN: 978-0-9847468-3-5
Page Count: 358
Publisher: Tales From Zell
Review Posted Online: Sept. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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