An overripe but still entertaining gay fantasia.

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The Chronicles of Spartak

RISING SON

From the Chronicles of Spartak series

A multitalented, bisexual, teenage slave becomes a symbol of freedom in this debut sci-fi saga.

In the America of 2115, flying cars exist, society is divided between an elite of super-rich “barronials” and a seething mass of impoverished “downers,” the Supreme Court has ruled that parents can sell their children into slavery, 18th-century fashions have made a comeback, and, perhaps unlikeliest of all, “gymnastics outdraws football and sometimes rivals soccer” as a spectator sport. Spartak Jones’ talent in the latter, along with his long blond hair, gorgeous face and Olympian physique, has made the 16-year-old gymnastics prodigy a hero to his fellow downers. (He’s also a classical pianist and a math genius.) Spartak navigates between the San Francisco slums and the toney private school where he’s a scholarship student, bullied by mean rich kids; he also navigates the bedrooms of both sexes, but mainly those of other men. Eventually, he gets kidnapped and learns that his cash-strapped family was forced to sell him to the plutocratic McClain clan, who gift him to 18-year-old heir Zinc McClain as “a pretty bauble to enjoy and discard.” Spartak is initially upset by the annihilation of his autonomy and personhood and by the tracking device riveted to his ear; there are also many gratuitous scenes in which he’s ordered to undress while bystanders pretend not to ogle his chiseled abs and buttocks.  However, he seems to thrive, even in slavery: he wears sumptuous robes and lambskin slippers, starts to find Zinc’s crooked features and shy stutter endearing as their romance blossoms, and gets invited onto talk shows to pontificate about his status as the first bought slave since the Civil War. Best of all, he gets a high-tech sword and a body stocking that confers super-strength, which he uses to slaughter the attacking minions of an anti-barronial Christian cult. Coulter’s LGBT-themed yarn reprises the ubiquitous YA-fiction notion of a world that oppresses teens by making them celebrities, while also giving this narcissistic theme a prurient gloss. His characters often get on soapboxes as they relate the evils of inequality and involuntary servitude, drawing them as extensions of present-day American dysfunctions. However, these politics mainly serve as a pretext for lubricious domination-submission vignettes and revenge fantasies. The narrative does move along at a brisk pace, though, with energetic action scenes and sharply drawn characters, and the result is a vigorous tale.

An overripe but still entertaining gay fantasia.

Pub Date: May 2, 2016

ISBN: 978-0-9966473-2-8

Page Count: 346

Publisher: Jubilation Media

Review Posted Online: April 21, 2016

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A touching family drama that effectively explores the negative impact of stress on fragile relationships.

A WEEK AT THE SHORE

A middle-aged woman returns to her childhood home to care for her ailing father, confronting many painful secrets from her past.

When Mallory Aldiss gets a call from a long-ago boyfriend telling her that her elderly father has been gallivanting around town with a gun in his hand, Mallory decides it’s time to return to the small Rhode Island town that she’s been avoiding for more than a decade. Mallory’s precocious 13-year-old daughter, Joy, is thrilled that she'll get to meet her grandfather at long last, and an aunt, too, and she'll finally see the place where her mother grew up. When they arrive in Bay Bluff, it’s barely a few hours before Mallory bumps into her old flame, Jack, the only man she’s ever really loved. Gone is the rebellious young person she remembers, and in his place stands a compassionate, accomplished adult. As they try to reconnect, Mallory realizes that the same obstacle that pushed them apart decades earlier is still standing in their way: Jack blames Mallory’s father for his mother’s death. No one knows exactly how Jack’s mother died, but Jack thinks a love affair between her and Mallory’s father had something to do with it. As Jack and Mallory chase down answers, Mallory also tries to repair her rocky relationships with her two sisters and determine why her father has always been so hard on her. Told entirely from Mallory’s perspective, the novel has a haunting, nostalgic quality. Despite the complex and overlapping layers to the history of Bay Bluff and its inhabitants, the book at times trudges too slowly through Mallory’s meanderings down Memory Lane. Even so, Delinsky sometimes manages to pick up the pace, and in those moments the beauty and nuance of this complicated family tale shine through. Readers who don’t mind skimming past details that do little to advance the plot may find that the juicier nuggets and realistically rendered human connections are worth the effort.

A touching family drama that effectively explores the negative impact of stress on fragile relationships.

Pub Date: May 19, 2020

ISBN: 978-1-250-11951-3

Page Count: 416

Publisher: St. Martin's

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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