A whale of a tale concerning a boy who tries to lift everyone’s spirits.
The appearance of an ocean blob causes folks in a small seaside town to believe that they are all rich in this comic novel.
On the first day of summer vacation in 1934, a mysterious and malodorous blob washes up on the beach of Tesoro, California. Ten-year-old Connor O’Halloran manages to reach the lumpy mass even before the local lighthouse keeper, thus establishing his claim over it—though just what it is he doesn’t know. “The mass was large—as broad as the base of a giant redwood tree and nearly as tall as me,” remembers Connor, now narrating the story as an elderly man. “It smelled of manure and barnacles and was certainly the most disgusting object I had ever encountered.” The lighthouse keeper tells him it’s ambergris—a valuable discharge from whales used by the perfume industry—and that it may well be worth millions. News of the find quickly makes its way through the seaside town that the O’Halloran family, which includes Connor’s mentally ill mother, Mary Rose, and his 6-year-old brother, Alex, is rich. The generous Connor decides that he will share the wealth with the town—it’s the height of the Depression, after all—and the citizens of Tesoro immediately set about figuring out how to sell the thing. When town miser Cyrus Dinkle offers lines of credit to all the families so that they can start spending their money now, a buying spree of epic (and opulent) proportions begins. Connor hopes that his share of the profits may be used to finally get a good doctor to end his mother’s bouts of mania and depression. But when he discovers that his mound of ambergris is actually mostly sewage, Connor and a few trusted others—who dub themselves the Ambergrisians—must figure out a way to prevent Dinkle from bankrupting the entire town.
Mayfield’s novel has a wonderful tall tale quality, matched perfectly with its semifantastic, semibelievable pre–World War II American setting. Though the premise may sound middle grade, the mannerly prose style of the elderly narrator tips the story into the realm of adult literary fiction: “Every boy has a friend with an older brother happy to introduce an innocent younger sibling and his pals to pornography. Mine was Webb Garwood, whose brother Tuck had already initiated our education with a library of postcard photos depicting Rubenesque women and hairy men engaged in naked Greco-Roman wrestling.” There is a warmth and energy to the author’s depiction of his characters, particularly the town midwife, Miss Lizzie Fryberg, who becomes Connor’s mentor in his schemes. Likewise, Tesoro’s population of oddballs and colorful personalities means that someone intriguing is always entering or exiting the scene. There are a few moments when the pacing lags or the prose becomes slightly too self-indulgent, but generally, the story moves with a purpose. Readers looking for a slightly stylized yarn of small-town drama will find much to enjoy in this charming book.
A whale of a tale concerning a boy who tries to lift everyone’s spirits.Pub Date: April 1, 2020
ISBN: 978-1-64603-004-0
Page Count: 256
Publisher: Regal House Publishing
Review Posted Online: March 27, 2020
Review Program: Kirkus Indie
PROFILES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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