by Steven Quartz ; Anette Asp ‧ RELEASE DATE: April 14, 2015
Some points are more provocative than convincing, but the authors put a lively spin on an age-old argument.
A counterintuitive analysis suggesting that consumers instinctively know more about the value of the signals they are sending than their critics do.
Most books that cover this territory suggest that consumers are mere sheep, blindly led by the insidious forces of capitalism. That assumption, write Quartz (Philosophy and Cognitive Science/Caltech; co-author: Liars, Lovers, and Heroes: What the New Brain Science Reveals About How We Become Who We Are, 2002) and political scientist and communications professional Asp, is wrong. The authors’ credentials provide an indication of how much ground they cover, from a variety of perspectives that transcend conventional categorization. Perhaps the key concept concerns self-image as reflected through the perception of others: “The fact that our self-concept draws on how we think others think about us presents a tremendously intriguing possibility,” write the authors. Consumers proceed with an eye toward “how others might think of them with that product: that is, how the product might enhance their social image.” Where the measuring sticks for social image might once have been wealth and conspicuous consumption, the evolution of “cool”—from anti-materialist rejection of the bourgeoisie to dot.com mainstreaming and from bebop to beatnik to rebel to hippie to ironic hipster—has changed the signals and codes that consumers send. It shows how Harley-Davidson has gone from annual sales of around 70,000 in the early 1990s to more than 325,000 in 2005 by seeing its “consumer culture evolve from a hierarchical to a pluralistic one, a ‘mosaic of microcultures,’ ” while sales of minivans plummeted over the same period in favor of SUVs targeting the same market with a different coded message. Quartz and Asp are particularly incisive on the evolution from rebel cool to “Dotcool,” encompassing the embrace of nerdiness and hipster irony as “today’s knowledge worker is valued for his unconventionality, because originality drives innovation,” thus transcending the rebel-cool disdain for “selling out.”
Some points are more provocative than convincing, but the authors put a lively spin on an age-old argument.Pub Date: April 14, 2015
ISBN: 978-0-374-12918-7
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 13, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Tom Wolfe ‧ RELEASE DATE: Sept. 24, 1979
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
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BOOK TO SCREEN
by Daniel Kahneman ‧ RELEASE DATE: Nov. 1, 2011
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...
A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.
The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.Pub Date: Nov. 1, 2011
ISBN: 978-0-374-27563-1
Page Count: 512
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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