Fast-paced, energetic and fun; a dime novel for modern intellectuals.
Watt O’Hugh tangles with love, danger and high adventure in Drachman’s engaging tale of Western science fiction and amazing fantasy.
On the surface, Watt O’Hugh’s beginnings mirrored many who dwell in a time of poverty and strife. Born in 1842, the young man’s existence could have been chalked up to a textbook stereotype, like a New York City Oliver Twist. Were it not for his special abilities, his could easily have been a story that would fit nicely into a work of prose dashed off by Nathaniel Hawthorne or Ralph Waldo Emerson. O’Hugh’s life veers from normalcy, however, when he learns the ways of magic and embarks on a journey throughout Earth’s history. In a pompous literary world ripe with mundane characters, Drachman pens a standout lead in the character of Watt O’Hugh. The cool hero’s tale is told in charming, romping detail, from the magical adventurer’s poor childhood in the Five Points and the Tomb, to his notorious, gun-toting dalliances in the Wild West and his wilder exploits through time itself. Were it not for a few lurid scenes of romance and a humble allotment of expletives, the book’s first-person narrative would surely win over a younger audience as well. O’Hugh’s singular name, derived from the words “what” and “who,” adds to the character’s simple charm. Time travel proves to be an enduring ingredient for fiction authors; from Diana Gabaldon’s Outlander series and Audrey Niffenegger’s The Time Traveler’s Wife, to Kurt Vonnegut’s Slaughterhouse Five and Stephen King’s The Langoliers, the uses for jumping in and out of the present never fails to develop a story to a slam-bang conclusion. Adding legitimate historical figures, such as the esteemed author Oscar Wilde, to the fictional mix builds levels of believability to the time traveling romp’s fast-paced flavor. While occasionally too expeditious in the telling, this introductory tale of a planned trilogy often has the fleeting pace found in many of the historic Western pulps authored in the 1800s.
Fast-paced, energetic and fun; a dime novel for modern intellectuals.Pub Date: June 28, 2011
ISBN: 978-0578085906
Page Count: 196
Publisher: Chickadee Prince Books
Review Posted Online: June 22, 2011
Review Program: Kirkus Indie
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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