Schnur and Evans round out the year, producing another visually and verbally entrancing title following Autumn (1997), Spring (1999), and Summer (2001). Evans makes hand-colored linoleum blocks whose strong and supple graphic line sets off her rich colors. The images move from early winter through the holiday season to the drippy days late in the season, when you can leave your coat open and long for a bit of green. Schnur’s deceptively simple acrostics trace the alphabet and the season, as for example, Q: “Q uickly we leap from / U nder warm covers / I nto sweaters and boots, / L ate for school / T his cold, snowy morning.” The young girl in the picture is wrapped in a patchwork quilt as she glances at her alarm clock, her moon-and-star pajamas peeking out. While most of the pictures—and the poems—reflect a country air (duck ponds, rabbit burrows, horse-drawn sleighs), a greenhouse and a brick city street decked in holiday lights broaden the imagery. With this latest entry Schnur and Evans complete a most satisfying quartet that can be read with pleasure the whole year round. (Picture book/poetry. 3-8)
Pub Date: Oct. 21, 2002
ISBN: 0-618-02374-7
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2002
A riotously fresh take on breaking the fourth wall.
This book may not have pictures, but it’s sure to inspire lots of conversations—and laughs.
Television writer, actor and comedian Novak delivers a rare find, indeed: a very good celebrity picture book. It doesn’t even seem fair to call it such, since it has nothing to do with his Emmy Award–winning writing for The Office or the fame his broader career has afforded him. The jacket flap even eschews a glossy photo, instead saying “B.J. has brown hair and blue eyes,” in order to keep with the book’s central conceit. What this book does have is text, and it’s presented through artful typography that visually conveys its changing tone to guide oral readings. Furthermore, the text implies (or rather, demands) a shared reading transaction, in which an adult is compelled to read the text aloud, no matter how “COMPLETELY RIDICULOUS” it is. Employing direct address, it pleads with the implied child listener to allow him or her to stop reading. Nonsense words, silly words to be sung and even a smattering of potty talk for good measure all coalesce in riotous read-aloud fare. Although the closing pages beg the implied child reader to “please please please please / please / choose a book with pictures” for subsequent reading, it’s likely that this request will be ignored.
A riotously fresh take on breaking the fourth wall. (. (Picture book. 3-8)Pub Date: Sept. 30, 2014
ISBN: 978-0-8037-4171-3
Page Count: 48
Publisher: Dial Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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