Modern economic scheming versus provincial loyalty makes for an endearing thriller.
A colorful cast of characters unites to stop one of their own from exploiting a small New England town’s land and water.
Brock Saunders is a blight on the community of Bridgeville, Connecticut. After ripping off the town’s farmers with a Ponzi scheme, he moved into the shadows, helping to facilitate the construction of an eyesore fuel-cell site and working as a consultant for the “New England Council Consortium,” an organization out to monetize the land at the expense of its people. Peter Russo knows well what it’s like to run afoul of Brock. Not only did he rob Peter’s brother and father, but he also raped his dear friend Nancy, an assault she has never gotten over. Though still quite active in his 50s, Peter will have to look to his friends, family, and fellow townsfolk for aid as a conspiracy by Brock and the consortium to sell the area’s water rights to the huge company Eautopia is slowly uncovered, a plot that the group is willing to kill to protect. Despite the high stakes of Fischer’s debut thriller, the book is often quite lighthearted. Peter’s “revenge” on Brock includes merely planting flowers around the ugly power station, and he’s aided in his fight with colorful characters ranging from a part-time private investigator and yoga-obsessed British ex-police officer to an obnoxiously loud ambulance chaser of a lawyer. Peter’s other allies are fully drawn individuals dealing with many of the modern challenges familiar to small communities; his niece, Rachel, is attempting to stay clean after opioid addiction; his ex Carmen, whom he still holds a torch for, lost her daughter to similar challenges; and most of the community suffers under a bureaucratic kleptocracy that isn’t answerable to its neighbors. Chapters are short but never rushed, and the dialogue is natural and funny, slang-filled and prone to friendly swearing and good-natured insults between close friends. As with any small town, there’s a lot of history to cover both about the area and among the characters, but even this is introduced organically, with details left to be fleshed out later on, feeding the story’s intrigue.
Modern economic scheming versus provincial loyalty makes for an endearing thriller.Pub Date: April 23, 2019
ISBN: 978-1-73274-347-2
Page Count: 240
Publisher: Green Writers Press
Review Posted Online: March 21, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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