edited by Stig Björkman ‧ RELEASE DATE: Jan. 1, 1995
Get two filmmakers together to talk about work and the result should be interesting, especially if one of them—Woody Allen- -seldom sits for long interviews. But the operative word here is should. Bjîrkman is a Swedish filmmaker and critic who has done a similar book with Ingmar Bergman (Bergman on Bergman, 1974). He sits a filmmaker down and gets him to talk his way through his career, discussing working methods, influences, collaboration, ideas, and themes. Since Allen rarely gives interviews, this volume is by its very nature an important one for fans of his films, and he is candid about his thematic obsessions—death, the confusion between fantasy and reality, the tensions that threaten the nuclear family. His blowup with Mia Farrow occurred during the course of the interview process, and although he never discusses it directly (which is fine, given the overexposure it received in the press), Allen does talk about the importance of focusing on filmmaking during ``this time of stress''; still, he says its effect on his work was minimal. But this is not a confessional, Barbara Waltersstyle interview. It's two guys talking shop, and Allen speaks at great length about casting decisions, the mechanics of shooting, and the writing process. He can be startlingly on-target when talking about his limitations, as in his observation that too much of his dramatic dialogue sounds like it was written for subtitles, but for much of the book, he seems defensive, particularly about negative critical reactions to his films. Unfortunately, given the opportunity he is presented, Bjîrkman doesn't ask many interesting questions. He shows little knowledge of the New York milieu so essential to Allen's films, or of American culture (popular or high), and no sense of humor at all. As a result, much of the book is just dull. Strictly for those who devour the Woodman's every word.
Pub Date: Jan. 1, 1995
ISBN: 0-8021-1556-X
Page Count: 288
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
Share your opinion of this book
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.