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DEATH FUND

A solid series starter that never flags in its sprint to a sinister climax.

Awards & Accolades

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An insurance investigator is the only thing standing between a high-powered law firm and its billion-dollar payday in Hemming’s thriller.

Nick Martin is the team leader on his prestigious Boston law firm’s Prosperity Fund initiative, which uses money from investors to buy people’s life insurance policies. Just as the Prosperity Fund stands on the verge of a billion-dollar listing on the New York Stock Exchange, Nick’s colleague (and lover) Jennifer Rose discovers that the fund is not in compliance with an obscure piece of federal legislation, rendering the sales of the life insurance policies to the fund invalid. This development sets him on a collision course with Mihkel Ivanov, a partner at the firm whose clients include KGB members and who is “notorious for his bad manners and ill-temper.” Some of the desperate people who sold their life insurance policies begin meeting untimely deaths, as do people within the firm who question the fund or want out. Nick and the fund come to the attention of Alex Greene, a Paris-based insurance investigator, described by her 13-year-old niece Hanna as “Nancy Drew on steroids.” The Prosperity case puts Alex in the crosshairs: a contract on her life is assigned to Joshua Workman, a former Mossad agent, who just happens to be a former one-night stand. In Hemming’s debut thriller, Greene makes a strong first impression. She’s a formidable action hero who feels her best when pummeling an adversary and who has a zest for sex to rival James Bond’s (“She could say ‘let’s fuck’ in any language”). Hemmings efficiently establishes Greene’s world for future adventures, giving her a backstory that includes a long-missing sister who abandoned Hanna on her doorstep. The author neglects to follow through on an early scene in which Greene trains Hanna in self-defense—the reader will want to see Hanna use those skills. But the ending is a corker that sets up a much-anticipated sequel.

A solid series starter that never flags in its sprint to a sinister climax.

Pub Date: Dec. 1, 2022

ISBN: 9781738736829

Page Count: 304

Publisher: Ice Queen Press

Review Posted Online: March 21, 2023

Kirkus Reviews Issue: May 15, 2023

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THE TRUTH ABOUT THE DEVLINS

As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.

The ne’er-do-well son of a successful Irish American family gets dragged into criminal complications that suggest the rest of the Devlins aren’t exactly the upstanding citizens they appear.

The first 35 years in the life of Thomas “TJ” Devlin have been one disappointment after another to his parents, lawyers who founded a prosperous insurance and reinsurance firm, and his more successful siblings, John and Gabby. A longtime alcoholic who’s been unemployable ever since he did time for an incident involving his ex-girlfriend Carrie’s then 2-year-old daughter, TJ is nominally an investigator for Devlin & Devlin, but everyone knows the post is a sinecure. Things change dramatically when golden-boy John tells TJ that he just killed Neil Lemaire, an accountant for D&D client Runstan Electronics. Their speedy return to the murder scene reveals no corpse, so the brothers breathe easier—until Lemaire turns up shot to death in his car. John’s way of avoiding anything that might jeopardize his status as heir apparent to D&D is to throw TJ under the bus, blaming him for everything John himself has done and adding that you can’t trust anything his brother has said since he’s fallen off the wagon. TJ, who’s maintained his sobriety a day at a time for nearly two years, feels outraged, but neither the police investigating the murder nor his nearest and dearest care about his feelings. Forget the forgettable mystery, whose solution will leave you shrugging instead of gasping, and focus on the circular firing squad of the Devlins, and you’ll have a much better time than TJ.

As an adjunct member says, “You’re not a family, you’re a force.” Exactly, though not in the way you’d expect.

Pub Date: March 26, 2024

ISBN: 9780525539704

Page Count: 384

Publisher: Putnam

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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