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RABBIT'S PAJAMA PARTY

PLB 0-06-027617-7 paper 0-06-446722-8 New to the MathStart series is this quick take on sequencing, although almost any story with a beginning, middle, and end would serve as well. A sleepover is the premise; Rabbit invites his friends Mouse, Giraffe, and Elephant to the party. The action is described in a few short rhyming sentences that outline the order of events. Friends are invited inside, a pizza dinner is gobbled up, juice follows dinner, and ice cream sundaes for dessert conclude the meal. At bedtime, the four friends pull on their pajamas and zip themselves into sleeping bags while Rabbit’s mother takes a picture. Hand shadows and scary stories come with lights out, until Mouse is heard snoring peacefully. Just when it appears that it may be a stretch to locate the math involved, a final page asks, “What Happened at Rabbit’s Pajama Party?” to prompt children to think about what happened first, next, and last. Although Remkiewicz wiggles out of showing “hot fudge” by present a bottle of chocolate syrup instead, no one will question the accuracy of his animals’ zeal; they are all smiles, delightfully displaying silly expressions. Characteristically, the final spread offers tips and suggestions for adults who may want to extend the sequencing concept with follow-up activities. (Picture book. 2-4)

Pub Date: Sept. 30, 1999

ISBN: 0-06-027616-9

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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ALL THE PRETTY LITTLE HORSES

For this traditional lullaby—“Hush-a-bye, don’t you cry./Go to sleepy, little baby./And when you wake, you’ll have cake/and all the pretty little horses”—Saport has taken her cues from the American South, where the song may have originated. The images she concocts are theatrical, with bakers and cakes streaming by, and a small boy atop a horse as it, and the rest of the horses, arching through the sky, pull an orange-colored carriage with a baker at the reins. The elegantly modulated pastels give an impression of twilight, while elements dusted in white and gold shine luminously, offering comfort. (Picture book/folklore. 2-4)

Pub Date: Sept. 20, 1999

ISBN: 0-395-93097-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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COWPOKES

PLB 0-688-13974-4 Stutson’s rhymed depiction of the cowboy’s life on the range is merry, but the watercolor locales steal the show. The text is unintrusive: “Rising slowly, cowpokes wake./Boots and vests and leather chaps./Bright bandanna. Cow poke hats./Eating flapjacks stack by stack.” San Souci sets the cowpokes’ actions the big open: mesas in the distance, aromatic sage, the blue sky high and wide. His cowpokes (among them, Austin, who is “quieter than a hole in the ground,”) are good time, strong-jawed caricatures. These pages offer a notion of how cowboys spend their days and a distinct sense of the Western landscape, which beckons enticingly. It is a fusion of text and art that works admirably well. (Picture book. 2-4)

Pub Date: Sept. 1, 1999

ISBN: 0-688-13973-6

Page Count: 24

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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