THE HOUSE OF ASHES

A former social worker who’s come to the Six Counties—don’t ever call it Northern Ireland—finds that the house her husband has moved her into deserves the name The Ashes all too well.

Sara Keane’s horizons keep narrowing. Her husband, architect Damien Keane, is so jealously possessive that he’s isolated her from her friends and carried her off from Bath to a solitary property outside Morganstown after she greeted an earlier round of his controlling temper by swallowing an overdose of pills. Whatever gratitude she might have felt toward Damien’s father for setting them up in a mortgage-free property is dashed by an uninvited visit from Mary Jackson, who’s wandered away from the Greenway Care and Convalescence Home to pound on Sara’s door. Alternating chapters gradually unveil the truth about Mary’s ties to The Ashes. More than 60 years ago, she was imprisoned in the house, along with Noreen Weaver and Joy Turkington, to serve the pleasure of Ivan Jackson and his two sons, George and Tam. Neville introduces orphaned Esther Mooney, another victim, into the backstory to show just how the Jacksons operate. It’s clear from a wealth of evidence that the early history of The Ashes left virtually everyone involved in the horrors dead, with Mary the only survivor. What’s not clear is exactly how the climactic bloodbath came to pass and whether Sara, who’s suffering what feels like a lower-pressure version of the same treatment from her own man, can escape an equally grisly fate.

The first of these mysteries is never all that mysterious; it’s the second one that will keep you turning the pages.