In an era as politically mercurial as our own, even the most far-fetched events depicted here sound utterly plausible—except...
That title may be the biggest of this satiric thriller’s red herrings, since, as far as this book is concerned, there are no innocents in the political process.
A charismatic right-wing Republican populist with a hectoring anti-immigrant riff is running for president, and the only person who can slow his roll is a woman moderate with ties to the outgoing administration. No, this book is not about the 2016 presidential campaign. But the fact that even these aspects of the novel are in sync with current events validates its author’s credentials as a cagey veteran political operative. That description applies to crafty, cynical J.D. Callahan, who normally would find a million reasons to avoid going back home to New Orleans except that it happens to be the site of a wide-open GOP convention pitting his candidate, incumbent Vice President Hilda Smith, against Colorado Gov. Armstrong George, who’s running on a platform powered by anti-terror paranoia as exemplified by what J.D. characterizes as “the crazy train of his wacky New Bill of Rights.” Callahan’s efforts to match the Veep’s steely rationality against George’s xenophobic bluster are bumrushed by bombs scattered throughout Crescent City that panic the locals and scare some of the fence-sitting delegates into George’s rising column of support. As J.D. struggles to keep both his head and his client in the game, he’s also got to deal with vicious backbiting from within the Smith staff, somewhat irrational (and also improbable) suspicions from the FBI that J.D. himself is somehow responsible for the bombs, a sexy gossip columnist with informed knowledge of serious firearms, and a pair of estranged half siblings with dubious issues of their own, one a pardoned felon seeking his brother’s help for a run at state office, the other an ex–GI–turned–skinhead strip-club owner. These and other characterizations are as quirky as J.D.’s rueful, acerbic commentaries, which make up the best part of this fast-paced carnival of bile, guile, and blow-ups.
In an era as politically mercurial as our own, even the most far-fetched events depicted here sound utterly plausible—except for maybe one thing: moderate Republicans? Really? What are those?Pub Date: June 28, 2016
ISBN: 978-0-451-49319-4
Page Count: 272
Publisher: Knopf
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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