Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after...
New York lawyer Stone Barrington (Wild Card, 2019, etc.) celebrates his 50th appearance by bedding two new women, each of whom leads him to criminal complications.
Minding his own business lying on the deck of his yacht off Key West, Stone hears, then sees, an airplane falling from the sky. He dives into the water, pulls the pilot to safety even before a police chopper can arrive, and discovers that the rescue diver is a beautiful woman. Since Detective Max—don’t call her Maxine—Crowley of the Key West Police Department doesn’t believe in one-night stands, she and Stone don’t have sex till their second night together. By that time, someone has already relieved the wrecked plane of the watertight suitcases Stone saw perfectly well as he was grabbing pilot Al Dix, who disappears from the hospital shortly after a woman masquerading as a nurse tries to kill him. It’s only a matter of time before the plane itself vanishes, leading NYPD Commissioner Dino Bacchetti, an old friend of Stone's, to reflect sagely, “missing pilot, missing cargo, and now, missing airplane.” With nothing more than Max’s charms to keep him in Key West, Stone is soon back in New York, where he’s picked up at a bar by clothing designer Roberta Calder, who, on learning that Stone doesn’t sleep with married women, announces that she wants to divorce Randall Hedger, her estranged husband. To avoid an unseemly conflict of interest, Stone hands the proceedings over to his associate Herb Fisher, who’s doing a great job until the murders of Hedger and Robbie’s friend Estelle Parkinson, a socialite, make Robbie’s divorce unnecessary but accentuate her need for legal representation even further when she’s arrested for murder. With this many felonies to keep track of, it’s no wonder the cast consumes a record number of gimlets.
Longtime fans of the series who refuse to hold their breath waiting for these two plots to be connected—this is Woods, after all—will be pleasantly surprised when they do. Who said the age of miracles is past?Pub Date: Aug. 13, 2019
ISBN: 978-0-593-08313-0
Page Count: 320
Publisher: Putnam
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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