Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and...
A former New York Mafioso who’s fled home to Italy kidnaps the latest inamorata of the redoubtable Stone Barrington (Hot Pursuit, 2015, etc.). Big mistake.
Stone’s flown the Atlantic at an hour’s notice, flirting en route with painter Hedy Kiesler, to vote in favor of opening a new Arrington Hotel in Rome. No sooner have the contracts been signed than trouble erupts. The unfinished hotel already standing abandoned on the site is torched; Stone’s borrowed car is stolen and set alight as well; he gets several increasingly overt threats encouraging him to go home and forget the deal; and it’s clear that they’re coming from Leonardo Casselli, the patriarchal mobster who just hates being called Leo. Packing Hedy off from his hotel bed in Rome to another bed in Paris, Stone stays just long enough to read the riot act in response to Casselli’s suave luncheon offer of extortionate “protection,” threatening him with the extensive resources of Massimo Bertelli’s Italian Anti-Mafia Investigative Department; Stone’s unfathomably wealthy business partner Marcel duBois; his buddy Mike Freeman’s company, Strategic Services; his even closer buddy Commissioner Dino Bacchetti’s New York Police Department; and President Katharine Rule Lee, another close personal friend. Then he hastens back to Rome, leaving Hedy in his Paris house, from which she’s promptly abducted. Stone soon finds out that Casselli’s holding Hedy in an impregnable house on the Amalfi coast; Casselli soon finds out that Stone wasn’t kidding about all those connections.
Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and extraneous subplots, keeping things simple, straightforward, and pleasantly predictable.Pub Date: Oct. 27, 2015
ISBN: 978-0-399-17467-4
Page Count: 320
Publisher: Putnam
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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