Woods, who evidently writes to a precise word length without bothering with beginnings and endings, delivers loads of juicy...
Another installment of nonstop, high-stakes, utterly inconsequential action for Stone Barrington (Lucid Intervals, 2010).
It’s tough luck for Jim Hackett, founder and owner of Strategic Services, that he got shot to death while he was in Stone’s company, but making his acquaintance has paid big dividends for Stone. In token of Woodman & Weld’s appreciation for landing Strategic Services’ business, managing partner Bill Eggers presents Stone with a $1 million check and dangles a promise of a full partnership before him. Given Stone’s current lifestyle, however, his settling down with the firm where he’s long been of counsel sounds about as likely as his settling down with just one woman. When his perennial-nuisance client Herbie Fisher summons Stone to his wedding reception to Christine Gunn, it looks as if Stone may be in for a serious romance with Christine’s sister Adele Lansdown, who recently widowed herself by shooting her abusive husband. Alas, after a brief interlude between the sheets, Adele’s shot to death herself. Will Stone, so grief-stricken that he doesn’t have sex for nearly a week, be able to focus on catching her killer? Not unless he turns down an offer to accompany Mike Freeman, Hackett’s successor at Strategic Services, on a clandestine flight to extract non-extraditable arms dealer Erwin Gebhardt, aka Pablo Estancia, for Lance Cabot at the CIA. The mission goes belly-up when Pablo escapes just before the plane lands in the United States, and the sequel promises even better: Pablo takes a train to one of his houses, eats a hearty breakfast and then asks Stone to represent him in his deposition by the CIA. In return for freedom from State Department harassment, Pablo promises some substantial revelations, including the current location of Osama bin Laden. Oh, and Herbie’s marriage is springing leaks as well.
Woods, who evidently writes to a precise word length without bothering with beginnings and endings, delivers loads of juicy complications but no payoffs.Pub Date: Jan. 1, 2011
ISBN: 978-0-399-15711-0
Page Count: 304
Publisher: Putnam
Review Posted Online: Sept. 30, 2010
Kirkus Reviews Issue: Oct. 15, 2010
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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