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WORKING

PEOPLE TALK ABOUT WHAT THEY DO ALL DAY AND HOW THEY FEEL ABOUT WHAT THEY DO

There is hardly an interviewer, commentator or probing journalist among us who can elicit so much grief and passion, so many forlorn hopes and decayed dreams, so much of the tedium and frustration of daily existence from his subjects as Studs Terkel.

Subjects? Hardly. Talking casually, sometimes disjointedly and hesitantly, or unleashing long suppressed feelings in an angry torrent, these are not clinical case studies but complex, fully human people whose humdrum reminiscences of long hours, days and years on the job are almost painfully involving. Even their laughter, abrupt and nervous, will make you wince because in Terkel's words, "This book, being about work is, by it's very nature, about violence—to the spirit as well as to the body." "You're nothing more than a machine. . . . They give better care to that machine than they will to you. They'll have more respect, give more attention to that machine," says the twenty-seven year-old spot welder at Ford. "I'm a mule," says the steelworker. Nor is the sense of waste and futility confined to blue-collar workers. Terkel talks to shipping clerks and sports figures, copy boys, hospital aides, salesmen, press agents, a doorman, a barber, a fireman, a cop, a pharmacist, a piano tuner, a stockbroker, a gravedigger...and yes, there is a common chord. Pride, the pride of craftsmanship is harder and harder to sustain; the old work ethic seems to many like a dirty trick. Strikingly, the only people who seem genuinely to exult in their work are those who deal directly and intimately with other people—like the Brooklyn fireman who muses, "You see them give mouth-to-mouth when a guy's dying. You can't get around that shit. That's real. To me, that's what I want to be."

For the rest, Terkel finds "the desperation is unquiet" and here, at least, it's eloquent.

Pub Date: March 28, 1974

ISBN: 1565843428

Page Count: -

Publisher: Pantheon

Review Posted Online: Oct. 14, 2011

Kirkus Reviews Issue: March 1, 1974

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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