Like Stuart Kaminsky, Jaffarian juggles her franchises deftly, giving each a unique voice and appeal. Her latest series...
Odelia Gray (Corpse on the Cob, 2010, etc.) and Granny Apples (Ghost à la Mode, 2009) have a new cousin: Madison Rose, a human living in Los Angeles’s twilight world of vampires.
Waitress Madison Rose can hardly believe it. First she’s snatched from outside Auntie Em’s Diner by a thug named Bobby. Just as quickly, Bobby is dispatched by two senior citizens who gnaw him to death. That’s because Doug and Dodie Deadham are vampires who’ve been living in quiet luxury in Topanga Canyon. The Deadhams are dead set on finding out who’s been killing people whose palms are marked with faint red bloodlines (the only humans who can be turned into vampires), in part to protect their secret and in part to protect future vamps. For reasons not clear even to Madison, she agrees to help them. Under the direction of centuries-old Samuel La Croix, head of the California Vampire Council, she lets sexy Colin Reddy squire her to clubs where vamp wannabes test their dentist-implanted fangs on willing young flesh, blissfully unaware that the real item is under their stylish noses. Because when real vampires bite, they don’t play, as posers like Lord Wilhelm and Lady Harriet of Dark Tidings soon find out.
Like Stuart Kaminsky, Jaffarian juggles her franchises deftly, giving each a unique voice and appeal. Her latest series kickoff may be her best yet, blending supernatural sexy with down-to-earth sassy.Pub Date: Sept. 1, 2010
ISBN: 978-0-7387-2311-2
Page Count: 336
Publisher: Midnight Ink/Llewellyn
Review Posted Online: July 13, 2010
Kirkus Reviews Issue: Aug. 1, 2010
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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