LOVE, SEX, AND MURDER

Stunning improvement over gossip maven Cameron's first novel, Honey Dust (1993), though staying in the same starry venue. Despite her trashy title, Cameron leaps from bedsheet sniffer to first-class commercial novelist. When top Hollywood star Lauren Laverty (as beloved as Marilyn Monroe) is tied to her four-poster, raped and murdered, her six-year-old daughter, Nikki, is the first to find the body. Twenty years later, Nikki joins the entertainment law firm of her late mother's fiancÇ, Mark Ferguson, who treats her like a doting father. Nikki has at last buried black years of nightmares about her mother, but at the cost of keeping all men at arm's length. She detests entertainment law, so ``uncle'' Mark gives her a case that may release a young prisoner who has already served ten years for murder. DNA tests now prove his innocence. But Nikki's appeals in the California courts are denied; at last the Supreme Court itself allows her to plead the case. Ironically, Nikki discovers that DNA tests on the man imprisoned for her own mother's murder now prove him innocent. Then, while cruising in cyberspace, she inadvertently stumbles across the path of The Master, the real murderer. The climax: Nikki faces the nine justices of the Supreme Court, then The Master. Outstanding here are a gripping story, characters you can almost talk with, convincing business, legal, and computer detail, an immense variety of restaurants and mansions described with gusto, a playing down of melodrama (one murder on the first page, one gun drawn in the last chapter), and the tying of the novel's many steamy passages straight into the plot. Forget likenesses to such books as Grisham's The Pelican Brief, or films like Altman's The Player and Sandra Bullock's The Net. Entertainment law and the Hollywood power game here fall under the lens of a graphic intelligence that will keep you up like a pot of caffeine.

Pub Date: July 12, 1996

ISBN: 0-446-51852-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1996

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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