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TOUGHER THAN ME

A concise account of a man’s perilous adventures with a limited appeal.

A wife shares the tales that “the Viking,” her husband’s nickname due to his tall stature, recounted about his upbringing in the West.

The Viking grew up sharing a one-bedroom cabin on a chicken ranch in Idaho with his family of five, the closest neighbor living a half mile away. His days were a routine of chores, school, homework, and bed. But on the weekends, there was ample time for him to get into mischief with his siblings and cousins. And get into trouble he did. He was bitten by a black widow, set on fire by a Molotov cocktail thrown by an assailant, and accidentally hung by the neck while playing on ropes at his grandmother’s house. Throughout this retelling of stories from his life, debut author Collins-Vahlberg compares the dire situations that her husband found himself in to the comparably sheltered life she enjoyed in California. While the Viking sustained third-degree burns while clearing frost in a cherry orchard during high school, she was not allowed to do farm work and did not have a job until she turned 19 years old. Many of the Viking’s near-death experiences seem unbelievable. Twice he was shot at: once while hunting and another time by a Vietnam veteran who was perhaps suffering from PTSD (the Viking was saved by his Indiana Jones hat). But then he was diagnosed with testicular cancer in his 50s, and it returned twice. He “had already published three books when he thought cancer would take his life.” Later, he sustained a traumatic brain injury after a fall down a flight of stairs. This gave him ample time to write during the years of recovery. The last chapter of the touching work includes these writings. Many of his words of wisdom read like moral platitudes, which may bring comfort to readers who are healing from an injury or having trouble appreciating life. This book is very short, and it is entertaining to read about the Viking’s many brushes with danger. The various vignettes deliver an assortment of rich and harrowing details (while working at a corn cannery, “he had his arm crushed in a two-ton hydraulic press….It took many months to heal”). But the Viking’s family, friends, and colleagues will be the readers who will get the most from this volume.

A concise account of a man’s perilous adventures with a limited appeal.

Pub Date: Jan. 26, 2019

ISBN: 978-1-79425-713-9

Page Count: 70

Publisher: Time Tunnel Media

Review Posted Online: June 13, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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