Macy wheels out another significant and seldom explored chapter in women’s history.

MOTOR GIRLS

HOW WOMEN TOOK THE WHEEL AND DROVE BOLDLY INTO THE TWENTIETH CENTURY

Well-documented proof that, when it came to early automobiles, it wasn’t just men who took the wheel.

Despite relentlessly flashy page design that is more distracting than otherwise and a faint typeface sure to induce eyestrain, this companion to Wheels of Change: How Women Rode the Bicycle to Freedom (2011) chronicles decided shifts in gender attitudes and expectations as it puts women (American women, mostly) behind the wheel in the first decades of the 20th century. Sidebar profiles and features, photos, advertisements, and clippings from contemporary magazines and newspapers festoon a revved-up narrative that is often set in angular blocks for added drama. Along with paying particular attention to women who went on the road to campaign for the vote and drove ambulances and other motor vehicles during World War I, Macy recounts notable speed and endurance races, and she introduces skilled drivers/mechanics such as Alice Ramsey and Joan Newton Cuneo. She also diversifies the predominantly white cast with nods to Madam C.J. Walker, her daughter, A’Lelia (both avid motorists), and the wartime Colored Women’s Motor Corps. An intro by Danica Patrick, checklists of “motoring milestones,” and an extended account of an 1895 race run and won by men do more for the page count than the overall story—but it’s nonetheless a story worth the telling.

Macy wheels out another significant and seldom explored chapter in women’s history. (index, statistics, source notes, annotated reading list) (Nonfiction. 11-14)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4263-2697-4

Page Count: 96

Publisher: National Geographic

Review Posted Online: Nov. 23, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE CIVIL WAR AT SEA

In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)

Pub Date: March 1, 2001

ISBN: 0-7613-1553-5

Page Count: 80

Publisher: Twenty-First Century/Millbrook

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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Pure gold for readers in search of role models who buck conventional masculine expectations.

GROUNDBREAKING GUYS

40 MEN WHO BECAME GREAT BY DOING GOOD

Single-page profiles of men who were guided by their better angels.

“History books are full of men who have made their mark,” Peters writes. “But these great men were not always good men.” So this atypical gallery focuses on men who served communities, demonstrated real respect for others, or otherwise acted on worthy principles. With one exception, men presented were born in or at least lived into the 20th century. That exception, John Stuart Mill, leads off for his then-radical notions about human (including women’s) rights and the “tyranny of the majority.” The ensuing multiracial, multinational roster mixes the predictable likes of Cesar Chavez, Thích Nhất Hạnh, and Roberto Clemente with Chinese diplomat Feng-Shan Ho (who helped “hundreds, and possibly thousands” of Jews escape Nazi-occupied Vienna), Indian child-labor activist Kailash Satyarthi, Malala Yousafzai’s dad and champion, Ziauddin, transgender activist Kylar W. Broadus, and socially conscious creative artists including Lin-Manuel Miranda and Kendrick Lamar. Though intent on highlighting good works, the author doesn’t shy away from personal details—she identifies six entrants as gay and one, Freddie Mercury, as bisexual—or darker ones, such as Harvey Milk’s assassination and Anthony Bourdain’s suicide. Washington works with a severely limited menu of facial expressions, but each subject in his full-page accompanying portraits radiates confidence and dignity.

Pure gold for readers in search of role models who buck conventional masculine expectations. (source notes) (Collective biography. 11-14)

Pub Date: June 11, 2019

ISBN: 978-0-316-52941-9

Page Count: 96

Publisher: Little, Brown

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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