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FOR LOVE

Here, the author of Family Pictures (1990), etc., graces us with nothing less than a disputation on the nature of love—from whence, at least in Miller's world, all other emotions (and a great deal of often extreme behavior) come. This time out, her extraordinarily intelligent, if agonized, protagonist is Charlotte Reed, a nonfiction writer and divorcee with a grown son, Ryan, and new husband, Jack, a widowed oncologist. But as the story begins, Charlotte's left Jack, presumably to get her aging mother's Cambridge home in shape to be sold—since her brother, Cam, has put their mother in a home. Charlotte's other reason for flying the coop is that she doesn't think she can hack the new marriage: Jack's teenaged daughter is a pain, and Jack himself seems unable to stop grieving for his first wife. And her real reason, she comes to understand, has to do with being afraid that she doesn't love Jack the way she used to. She yearns for a kind of wild, romantic love, and sees it in the way her brother behaves with his new flame, Elizabeth, a neighbor in Cambridge. Elizabeth has returned home because her husband is playing around. She starts doing so, too, with Cam, though for him the relationship is less a fling than an expression of his unbalanced approach to life. Tragedy strikes in the form of an accident that kills Elizabeth's au pair girl, with Cam behind the wheel. Her death sets Charlotte off on an intense emotional hegira, which eventually leads her back to Jack and a different kind of love—a love that has as much loss in it as passion. Seared by several extraordinary arguments—between Lottie and Cam and others—and by a handful of characterizations so full that they suggest whole novels revolving around Miller's secondaries. Miller's special brand of intelligent emotionalism reaches its zenith here: it's deep, resonant, splendid.

Pub Date: April 21, 1993

ISBN: 0060929995

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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AFTER I DO

Reid’s tome on married life is as uplifting as it is brutally honest—a must-read for anyone who is in (or hopes to be in) a...

An unhappily married couple spends a year apart in Reid’s (Forever, Interrupted, 2013) novel about second chances.

When we meet Lauren, she and her husband, Ryan, are having a meltdown trying to find their car in the parking lot at Dodger Stadium after a game. Through a series of flashbacks, Lauren reveals how the two of them went from being inseparable to being insufferable in each other’s eyes—and in desperate need of a break. Both their courtship and their fights seem so ordinary—they met in college; he doesn’t like Greek food—that the most heartbreaking part of their pending separation is deciding who will get custody of their good-natured dog. It’s not until Ryan moves out that the juicy details emerge. Lauren surreptitiously logs into his email one day, in a fit of missing him, and discovers a bunch of emails to her that he had saved but not sent. Liberated by Ryan’s candor, Lauren saves her replies for him to find, and the two of them read each other’s unfiltered thoughts as they go about their separate lives. Neither character holds anything back, which makes the healing process more complex, and more compelling, than simply getting revenge or getting one’s groove back. Meanwhile, as Lauren spends more time with her family and friends, she explores the example set for her by her parents and learns that there are many ways to be happy. It’s never clear until the final pages whether living alone will bring Lauren and Ryan back together or force them apart forever. But when the year is up, the resolution is neither sappy nor cynical; it’s arrived at after an honest assessment of what each partner can’t live with and can’t live without.

Reid’s tome on married life is as uplifting as it is brutally honest—a must-read for anyone who is in (or hopes to be in) a committed relationship.

Pub Date: July 1, 2014

ISBN: 978-1-4767-1284-0

Page Count: 352

Publisher: Washington Square/Pocket

Review Posted Online: April 9, 2014

Kirkus Reviews Issue: May 15, 2014

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TELL ME

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so,...

A tenacious reporter won’t let personal ties to a decades-old case stop her from finding the truth.

On the advice of her agent, Savannah Sentinel reporter and author Nikki Gillette is looking for fodder for her latest true-crime novel when she realizes that the perfect subject is about to be released from prison. Savannah’s notorious Blondell O’Henry has been locked up for some 20 years for the murder of her oldest daughter and Nikki’s childhood friend, Amity. Now that Blondell’s son Niall has recanted the testimony that put her away all those years ago, it looks as if she’ll be a free woman unless Nikki’s fiance, Detective Pierce Reed, can find a reason to keep her detained. Pierce and Nikki both work to discover what happened years ago at that cabin in the woods, though Pierce bridles at Nikki’s rather unconventional—all right, illegal—research methods. It seems to Nikki that the more she investigates, the more connections she discovers to her own family, beginning with the fact that her Uncle Alex was the original defense attorney on the case. But all of these uncomfortable connections make Nikki still more determined to learn the truth, even if she doesn’t like what that may mean.

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so, Jackson (You Don’t Want to Know, 2012, etc.) shows a mastery of the true-crime thriller formula that will please fans.

Pub Date: June 25, 2013

ISBN: 978-0-7582-5858-8

Page Count: 336

Publisher: Kensington

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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