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LEANING TOWARDS INFINITY

Creating the feeling of a found document, prizewinning Australian writer Woolfe pieces together an intriguing and expansive novel of ideas—showing the ways in which love, motherhood, and mathematics wrap around the human soul. Three generations of Montrose women emerge from the narrative: Hypatia writes of her legendary mother Francis, a gifted and acclaimed mathematician; Francis, in turn, tells the story of her mother, the brilliant, breathtaking Juanita. Meanwhile, Hypatia frequently offers her own narrative in the form of disgruntled letters to Francis, or in in the form of brief biographical commentaries on some of history's great mathematicians. The staggered segments of personal and historical chronology help shape the central story of Francis Montrose, who discovers for the world a whole new kind of number. Having devoted her life to building on the work of Juanita, Francis, a ridiculed amateur, is invited to a mathematics conference in Athens to present her incomprehensible conjectures, which are of ``such fierce, austere beauty, you might think God is real.'' What she is really hoping to give the world is a tribute to her beautiful, aloof mother. Juanita, raised in an Australian convent when her Spanish father was mysteriously assassinated and her mother took to gambling, is a savant, a secret mathematical genius who spends her later married life scribbling groundbreaking theories on scraps of paper. Trapped in a life of domesticity while dreaming of infinity, she pins her hopes on her beautiful son, but it is the plain and ignored Francis who inherits the gift of the abstract mind and becomes obsessed with becoming her mother. As the climax of the story, Hypatia tells of the renowned ``missing days'' when Francis completes her theory on a deserted Greek beach and finally slips out from under the domineering ghost of Juanita. A lovely novel, magical in its elevation of mathematics into a realm of divine beauty, charming in its depiction of the equally demanding sphere of motherhood.

Pub Date: March 27, 1997

ISBN: 0-571-19905-4

Page Count: 420

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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