A beautiful intergenerational tale about the importance of embracing the parts of ourselves that others may find strange.
Bindu loves bindis, the adornments that some South Asians wear on their foreheads for religious or cosmetic purposes.
Bindu’s bindis are particularly special to her because they’re from her grandmother: Every month, her nani sends her a new packet all the way from India, and her delight emanates from every brightly hued page. But when Nani comes to visit, xenophobic White protestors at the airport make Bindu and her family feel scared and out of place, and Bindu briefly questions whether she ought to wear a bindi at all. The feeling returns a few days later, when Bindu must perform a dance onstage at school. In the moment when she experiences stage fright, Bindu isn’t sure if her bindi gives her strength or makes her different—too different for her classmates. With a little bit of courage—and some help from Nani—Bindu gets up on stage and, in the process, remembers why she loves bindis. Bindu is a delightful protagonist whose emotional ups and downs are both familiar-feeling and fun to read about. Bindu’s likability makes it slightly disappointing that it’s Nani and not feisty, resourceful Bindu herself who ultimately resolves the book’s main conflict. Nevertheless, the ending is both realistic and uplifting, tying together a storyline that strikes an expert balance between drama and humor. (This book was reviewed digitally with 10.9-by-17-inch double-page spreads viewed at 58.3% of actual size.) (Editor's note: This review has been updated to provide a more accurate description of a bindi.)
A beautiful intergenerational tale about the importance of embracing the parts of ourselves that others may find strange. (Picture book. 3-6)Pub Date: March 2, 2021
ISBN: 978-1-4549-4020-3
Page Count: 32
Publisher: Sterling
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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