by Susan Coll ‧ RELEASE DATE: Jan. 1, 2005
A modern comedy of manners that at times tries too hard to entertain.
Second-novelist Coll (karlmarx.com, 2000) energetically chronicles a soccer mom’s bumpy ride to tranquility as she deals with issues of finance, family, and self-esteem.
Our frazzled narrator, Jane Kramer, wife of Leon Kramer of Kramer’s Discount Furniture Store, is one of those women who are smart but fear they’re failing life: Jane is friendless, dislikes her job, money is tight, and her marriage is souring. She works at the family store with Leon and his old uncle Seymour because they can’t afford to pay outsiders—the merchandise is cheap and dated, someone is stealing from the till, and local preservationists are suing them for pulling down an allegedly historic barn when they rebuilt the store. Teenaged son Justin is into Goth music, dresses entirely in black, and has been suspended from school. Jane also suspects that Leon may be having an affair with voluptuous Delia, the furniture saleswoman advising them on how to improve business. Jane has taken to spending her lunch hour in the nearby graveyard on the Rockville Pike—a notorious Washington, DC, strip-mall highway—where F. Scott and Zelda Fitzgerald are buried. The graves could help business if, Delia suggests, they sell patio furniture with Fitzgerald associations. While Jane rereads the Fitzgerald novels to get ideas, she also becomes involved, through another soccer woman, in Memories Inc., a scrapbook merchandising system run, like Tupperware, out of homes. When Justin heads to New York without telling her, and Leon goes on a so-called business trip with Delia, Jane, in a panic, heads after them and has adventures of her own, including counseling a famous Washington trial lawyer and narrowly missing an encounter with thieves at the Plaza. By the close, though, a serendipitous series of events resolve misunderstandings and improve family fortunes, plus formerly hapless Jane no longer feels unloved and friendless.
A modern comedy of manners that at times tries too hard to entertain.Pub Date: Jan. 1, 2005
ISBN: 0-7432-4477-X
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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