An engaging, informative introduction.
A young citizen scientist helps count birds for the Christmas Bird Count, a hemispherewide event run by the National Audubon Society.
On a snowy winter morning, Ava and her mother bundle up to spend their day driving and walking around through varying habitats to count birds in the area designated to them by their local organizer. This year, Ava’s old enough to take the tally, which, in a clever design feature, runs along the side of each spread. Count guidelines are smoothly worked into Richmond’s narrative: Count every bird you see or hear; make sure at least two people see or hear it; don’t count any bird more than once. She even explains how a tally is marked. The birds, familiar to residents of eastern and central North America, are faithfully shown in context in Coleman’s digital paintings. Ava and her mother have light brown skin, and Ava’s hair is lighter and fluffier than her mother’s straight, black locks; team leader Big Al presents white. The author builds suspense by including Ava’s hope to see a raven again—a bird she saw two years ago but not on last year’s count. The story includes common frustrations: birds only one person sees and birds that were probably counted already. Their final tally—24 species, from great horned owl in the early morning to the longed-for raven at dusk—is quite respectable, and more about each featured species appears in the backmatter.
An engaging, informative introduction. (author’s note) (Informational picture book. 5-9)Pub Date: Oct. 1, 2019
ISBN: 978-1-56145-954-4
Page Count: 32
Publisher: Peachtree
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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