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THE TERROR DREAM

FEAR AND FANTASY IN POST-9/11 AMERICA

Brilliant, illuminating and essential.

Rich, incisive analysis of the surreality of American life in the wake of 9/11.

In a clear-eyed recounting of our culture’s reaction to the terrorist attacks, Faludi (Stiffed: The Betrayal of the American Man, 1999, etc.) finds that we have been living in a dream that offers solace for a national tragedy we cannot comprehend. We need stories to live, she notes. Lacking a story for 9/11, we made up a compensatory narrative filled with heroes and John Wayne–like leaders who went to war to maintain a national aura of invincibility. In fact, there were no heroes on 9/11, she says flat out. Exhaustively examining events and their coverage in media from talk shows to comic books, the author shows how the tragedy sparked a “national frenzy to apotheosize” that turned firefighters into supersoldiers (although they were helpless at the Twin Towers) and cast 9/11 widows as venerated keepers of the hearth—unless they criticized the government or spent newfound money in unseemly ways. “What mattered was restoring the illusion of a mythic America where women needed men’s protection and men succeeded in providing it,” Faludi writes, adding that the same process informed the story of Pvt. Jessica Lynch’s rescue in Iraq. In the last third of the text, she links the cultural response to 9/11 with a centuries-old national propensity for protection fantasies. From the days when settlers faced Indian attacks, we have favored “captivity narratives” in which men rescued captive women and children, providing a sense of security. Readers with misgivings about post-9/11 America will appreciate Faludi’s fantasy busting; right-wing radio hosts will denounce her as a traitorous feminist. But all will find painful her tearing away of the comforting stories we have told ourselves instead of “learning to live with insecurity.”

Brilliant, illuminating and essential.

Pub Date: Oct. 2, 2007

ISBN: 978-0-8050-8692-8

Page Count: 368

Publisher: Metropolitan/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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