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WHAT I LOVE ABOUT YOU

This could be a conversation starter about the manifestation of love between an adult-child reading pair…once they’ve parsed...

Farrington’s picture-book debut looks at all the things an adult caregiver loves about a child.

“I love when you / SMILE. // Right before you SING at the top of your lungs,” the narrator asserts. “I love when you’re CREATIVE. // Even when things get MESSY.” A caring adult loves holding hands but also loves when the child lets go to make a friend. The text may be similar to that found in numerous what-I-love-about-you books, but the mixed-media collages are distinctly unlike most in the genre. Photographs of found items, cut and digitally assembled, are placed on white backgrounds. Beautiful natural elements (vegetation, clouds, butterflies) stand out, especially the trees with teardrop-shaped leaves in rainbow hues. But the characters are something else. They may sport clothing and accessories and behave in human ways, but they are not at all human. Some are recognizable animals—a lion on a recumbent bike, for instance—but more are monsterlike creatures or hodgepodges of animal features; a yellow beast with a horselike snout, bug eyes, humanlike torso, and tiny arms and wings illustrates “getting messy,” for example. Readers may not know what to make of these sometimes-ugly beasts, which clash with the message delivered by the text, though they do nicely sidestep typical (and stereotypical) gender and racial depictions.

This could be a conversation starter about the manifestation of love between an adult-child reading pair…once they’ve parsed the attention-getting artwork. (Picture book. 3-7)

Pub Date: Dec. 1, 2016

ISBN: 978-0-06-239353-1

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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