Musical-theater lovers, whether front-of-curtain, backstage, or audience, will revel in this journey in which “Every moment...
With a deft hand and unbridled admiration for her subject, Rubin presents the career of a musical theater giant.
Stephen Sondheim’s life as composer and lyricist is the stuff of legends, starting with his fabled apprenticeship with Oscar Hammerstein, moving on to his Broadway beginnings with West Side Story, and his subsequent successes (and some failures) in the coming decades. Much has already been written for adults about the collaborative process for West Side Story, but Rubin succinctly captures the genesis of the production for confirmed young fans while no doubt hastening the rush of others to listen to the music and attend revivals. She then moves on to describe Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Pacific Overtures, Sweeny Todd, Merrily We Roll Along, Sunday in the Park with George, and Into the Woods. Readers will come away with an understanding of the difficulties involved in creating Broadway shows and an appreciation of the many, many talents required to finally reach opening night. Photographs and snippets of lyrics add to the whole package.
Musical-theater lovers, whether front-of-curtain, backstage, or audience, will revel in this journey in which “Every moment makes a contribution / Every little detail plays a part.” (list of shows, film scores, bibliography, videography, discography, source notes) (Biography. 12-18)Pub Date: Nov. 3, 2015
ISBN: 978-1-59643-884-2
Page Count: 192
Publisher: Neal Porter/Roaring Brook
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style....
As she does in previous volumes—Grammar Girl’s Quick and Dirty Tips for Better Writing (2008) and The Grammar Devotional (2009)—Fogarty affects an earnest and upbeat tone to dissuade those who think a grammar book has to be “annoying, boring, and confusing” and takes on the role of “grammar guide, intent on demystifying grammar.”
Like many grammar books, this starts with parts of speech and goes on to sentence structure, punctuation, usage and style. Fogarty works hard to find amusing, even cheeky examples to illustrate the many faux pas she discusses: "Squiggly presumed that Grammar Girl would flinch when she saw the word misspelled as alot." Young readers may well look beyond the cheery tone and friendly cover, though, and find a 300+-page text that looks suspiciously schoolish and isn't really that different from the grammar texts they have known for years (and from which they have still not learned a lot of grammar). As William Strunk said in his introduction to the first edition of the little The Elements of Style, the most useful grammar guide concentrates attention “on a few essentials, the rules of usage and principles of composition most commonly violated.” After that, “Students profit most by individual instruction based on the problems of their own work.” By being exhaustive, Fogarty may well have created just the kind of volume she hoped to avoid.Pub Date: July 5, 2011
ISBN: 978-0-8050-8943-1
Page Count: 304
Publisher: Henry Holt
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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