The air is thick with incense and mysteries (both secular and non) in this fifth smashing novel in Howatch's High Church series (Spontaneous Risks, 1990, etc.). Whoever would have thought that she could turn 20th-century theology into bestsellerdom? But she's done it again, this time reminding us that she's a mistress of the generational novel as well—because, here, the sons of heroes (actually, psychically wounded antiheroes, scrambling back to God) from former volumes step up to, well, the altar. It doesn't take 25-year-old Nick Darrow long to get into deep spiritual trouble here; after all, he's not only psychically touched (like his 88-year-old father, Jon, from Glamorous Powers) but young, cocky, impatient, sexually hyperactive—and, to make matters worse, it's 1968. On the eve of Nick's ordination, a debutante friend convinces him to look into the death of Christian Aysgarth, a brilliant Oxford don who died suddenly in a boating accident, leaving behind a wife agonized with guilt because she thinks it was suicide. So, Nick to the rescue, with a botched exorcism and not-so-botched seduction of the grieving widow. Such occurrences, along with Nick's double life as a Casanova among working girls, make him dimly aware that his personality is frayed, but he can't open up to his saintly father for fear that the beloved old guy will die of horror. Nick plunges on, then, eventually getting so obsessed with the Aysgarth affair that he believes himself possessed by the dead man. That's when Father Lewis Hall shows up in his groovy white VW to take Nick by the hand and lead him to the light. Along the way back, Christian's death is resolved in a spiffy little climax that includes an attempted murder, an exorcism conducted—quite successfully this time—by Nick, and a spiritual healing between Nick and his father. If only spiritual guides showed up like fairy godmothers in real life! Howatch even brings psychological and theological meaning to Nick's salvation. A sure-fire hit.
Pub Date: May 18, 1992
ISBN: 0-679-41205-0
Page Count: 544
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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