by Susan Hughes ; illustrated by Marianne Ferrer ‧ RELEASE DATE: March 15, 2021
Not a visual inspiration; at most, a jumping-off point about Casa Battló.
A fictionalized origin story of a real architectural marvel.
“Carmen Batlló, our very important visitor is here!” calls Carmen’s family, trying to lure her out of the woods around their country home. She’s reluctant. Nature comforts her, and when she’s alone, she can talk to her “invisible salamander,” Dragon, a huge, pale green, imaginary creature. The visitor is Antoni Gaudí, who, over time, designs a stunningly unusual city house for Carmen’s family. Gaudí, the Batlló family, and Casa Batlló—built between 1904 and 1906 in Barcelona—are all real; Hughes’ fancy is that Gaudí bases his wildly creative design on a personal, shared understanding with little Carmen about nature and Dragon. When the curving, glittering Casa Batlló reaches completion, Ferrer’s art does it tolerable justice. The front is shown with sinuous lines and covered in multicolored tiles (though the hues are off, and dark trees that flank it dominate), a blue room is depicted with layers of light as if undersea, and the undulating roof is pictured as a sculpture of, specifically, Dragon. Earlier, the illustrations are odd, portraying Carmen’s (and Gaudí’s) beloved nature scenes—supposedly wondrous because they’re devoid of “sharp corners”—as full of dark, ominous plants sharp enough to cut and sinister tertiary colors with mustard tones. The final house looks passably striking, though far less sparkly and unconventional than it should—as demonstrated with a closing photograph.
Not a visual inspiration; at most, a jumping-off point about Casa Battló. (author’s note, selected sources) (Picture book. 4-8)Pub Date: March 15, 2021
ISBN: 978-1-77147-392-7
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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