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ANY PLACE I HANG MY HAT

A heroine who really, really cares about politics and social issues and who always remembers to wear a warm coat is...

Superselling Isaacs (Long Time No See, 2001, etc.) makes a valiant effort to reach a younger readership and still please the faithful in her tale of a New Yorker looking for her long-lost mother.

Amy Lincoln has issues—big time. Raised by her shoplifting grandma Lil while her father, a petty crook named Chicky, was doing time, she never knew her mother, Phyllis. Where is Phyllis now? Amy never had the time to figure that out, what with going to Harvard and Columbia School of Journalism. Now working for Happy Bob, a liberal slave-driver at In Depth, a newsmagazine that takes its mission seriously, Amy’s gotten pretty good at finding out stuff people don’t want her to know. Does a charismatic political candidate who seems to be on the side of the angels have an illegitimate son by a woman of color? Looks like it, and that assignment gets her to thinking about her own mother. Surely a little routine investigation will turn up a few clues, starting with the names of her maternal grandparents: prosperous Brooklyn businessman Selwyn Moscowitz and wife Rose. Are they dead or alive or living in Florida? Boca Raton, here I come. Along the way, Amy dithers inexplicably about whether to commit to an absolutely perfect guy who would lay down his life for her (the weakest part of the story) and reminisces about her eccentric upbringing, such as it was, by her crazy-like-a-fox grandmother and the endearingly raffish Chicky (the funniest and best part of the story). Amy’s discovery of her other grandmother, a Waspy society matron, results in a face-to-face meeting that goes amazingly well; her eventual reunion with her reptilian mother does not.

A heroine who really, really cares about politics and social issues and who always remembers to wear a warm coat is certainly a welcome novelty in this Age of Fluff—but this still seems like chick-lit in sensible shoes.

Pub Date: Oct. 1, 2004

ISBN: 0-7432-4215-7

Page Count: 400

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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