BRAVE DAMES AND WIMPETTES

WHAT WOMEN ARE REALLY DOING ON PAGE AND SCREEN

A lively look at the role models provided by women in film and fiction, with unexpected exegeses from a bestselling novelist (Red, White, and Blue, 1998, etc.). L. Frank Baum’s Dorothy and Jane Austen’s Emma—in both original and modern interpretations—are “brave dames”; Sandra Bullock in Speed, although her character was the driver of the rampaging bus, and Anita Hill, testifying about long-past transgressions, are “wimpettes.” Even the feminist icons Thelma and Louise and biblical mother Eve get ambivalent reviews here. Think about it, says Isaacs: Thelma and Louise would rather drive off a cliff than take responsibility for their actions; Eve knuckled under to the serpent rather than take a stand in the cosmic battle between good and evil. Brave dames are “passionate about something besides passion,” are resilient, competent, moral, and “a true friend.” In literature, Jane Eyre is the bravest of dames, along with the spider Charlotte of E.B. White’s Charlotte’s Web. The author’s TV heroines include Buffy the Vampire Slayer and Xena (although production values are seriously deficient, Isaacs admits); films offer Auntie Mame, G.I. Jane, and Clarice Starling of The Silence of the Lambs. Wimpettes, on the other hand, are invested in masochism, subterfuge, low ethical standards, and men who will give them identities. Holly Hunter’s character in The Piano is a wimpette par excellence’she betrays her husband (and daughter) because she “just needs to get laid.” Other mothers, sisters, and friends fare slightly better but fail the “brave dames” test because their lives are defined by men. Isaacs falters on her own test when she sets males as the standard in comparing buddy films, e.g., Midnight Cowboy vs. Thelma and Louise. A lightweight overview of women in film, fiction, and video, but the author offers a challenge: Look closely. Is driving a bus over the speed limit really an example of the best a woman can be? (Author tour)

Pub Date: Jan. 22, 1999

ISBN: 0-345-42281-3

Page Count: 112

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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A timely, vividly realized reminder to slow down and harness the restorative wonders of serenity.

STILLNESS IS THE KEY

An exploration of the importance of clarity through calmness in an increasingly fast-paced world.

Austin-based speaker and strategist Holiday (Conspiracy: Peter Thiel, Hulk Hogan, Gawker, and the Anatomy of Intrigue, 2018, etc.) believes in downshifting one’s life and activities in order to fully grasp the wonder of stillness. He bolsters this theory with a wide array of perspectives—some based on ancient wisdom (one of the author’s specialties), others more modern—all with the intent to direct readers toward the essential importance of stillness and its “attainable path to enlightenment and excellence, greatness and happiness, performance as well as presence.” Readers will be encouraged by Holiday’s insistence that his methods are within anyone’s grasp. He acknowledges that this rare and coveted calm is already inside each of us, but it’s been worn down by the hustle of busy lives and distractions. Recognizing that this goal requires immense personal discipline, the author draws on the representational histories of John F. Kennedy, Buddha, Tiger Woods, Fred Rogers, Leonardo da Vinci, and many other creative thinkers and scholarly, scientific texts. These examples demonstrate how others have evolved past the noise of modern life and into the solitude of productive thought and cleansing tranquility. Holiday splits his accessible, empowering, and sporadically meandering narrative into a three-part “timeless trinity of mind, body, soul—the head, the heart, the human body.” He juxtaposes Stoic philosopher Seneca’s internal reflection and wisdom against Donald Trump’s egocentric existence, with much of his time spent “in his bathrobe, ranting about the news.” Holiday stresses that while contemporary life is filled with a dizzying variety of “competing priorities and beliefs,” the frenzy can be quelled and serenity maintained through a deliberative calming of the mind and body. The author shows how “stillness is what aims the arrow,” fostering focus, internal harmony, and the kind of holistic self-examination necessary for optimal contentment and mind-body centeredness. Throughout the narrative, he promotes that concept mindfully and convincingly.

A timely, vividly realized reminder to slow down and harness the restorative wonders of serenity.

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-53858-5

Page Count: 288

Publisher: Portfolio

Review Posted Online: July 21, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

THE ROAD TO CHARACTER

New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.

Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.

The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.

Pub Date: April 21, 2015

ISBN: 978-0-8129-9325-7

Page Count: 320

Publisher: Random House

Review Posted Online: Feb. 16, 2015

Kirkus Reviews Issue: March 1, 2015

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