Here's novel number five by the perennially popular author of Shining Through and Compromising Positions—though this one's more like the latter than the former, set in the present on Long Island (a locale Isaacs does perfectly) and zinging with her trademark sharp, make-me-into-a-movie repartee. Isaacs gets the award for the fastest hook in commercial fiction, letting on in paragraph two, through her narrator Steve Brady, that the classy movie producer Sy Spencer has been murdered with a .22, fired from the manicured bushes of his Southampton estate. It's Steve's business because he's a Long Island homicide detective, not to mention a recovered alcoholic and Vietnam vet, currently about to wed pretty, nice, boring Lynne, who teaches disabled kids. He suspects Sy's ex-wife, Bonnie, right off the bat, since she lives in nearby Bridgehampton, needs money and Sy's approval of her new screenplay, and knows how to shoot. What's more, Steve finds there's something distinctly weird about her when he chats her up, and something disturbingly attractive, too. Right before he's about to make the collar, though, Bonnie's lawyer reminds Steve that he picked her up in a bar about five years before—an event that would have been memorable had Steve not been in an alcoholic daze at the time. Now, however, he can't get her out of his system and even helps her evade an arrest warrant as he sets out to uncover the real killer. The trail leads to the bitchy, beautiful star of Sy's new picture, Lindsay Keefe, a backer with ties to the Gambino family, and finally close to home, for it seems that Steve's brother worked as a gofer for Sy. In the end, Steve gets his man, of course, and it isn't Bonnie—a good thing, too, since the two of them are clearly fated to spend the rest of their lives watching Yankee games together. Primitive as police procedurals go, and occasionally Steve's hard-boiled voice doesn't ring true. But this has the same witticism-wrapped, sappy center that always drives Isaacs fans dotty.
Pub Date: Jan. 1, 1991
ISBN: 06-016573-1
Page Count: -
Publisher: HarperCollins
Review Posted Online: May 19, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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