SO MANY BABIES

MY LIFE BALANCING A BUSY MEDICAL CAREER & MOTHERHOOD

Frank, insightful writing about neonatal medicine and being a parent.

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A neonatal intensive care physician describes the demands of her practice and the difficulties of achieving work-life balance in this debut memoir.

For 35 years, Landers took care of premature babies and sick newborns in her medical practice. She tells of growing up in South Carolina and moving to Texas, where she completed her medical training, married, and raised three children. The central focus of this memoir, however, is her daily challenge of providing critical patient care, in which she was regularly required to make life-or-death decisions, while also dealing with the requirements of motherhood. Along the way, Landers details some of her standout cases, altering the names of patients and their parents to protect their identities; she discusses the consequences of maternal heroin addiction, a birth of quintuplets, and her treatment of newborn with a depressed skull fracture. One of her toughest cases, she says, involved “a tiny African American baby born at 27 weeks’ gestation, weighing 480 grams (less than one pound).” After becoming a mother, Landers found that, despite her expertise as a neonatologist, she still had much to learn about living with babies. She candidly describes the ways that she felt that her working life came in conflict with her role as a mother; for example, she writes about the difficulty of breastfeeding and working full time, as well as the dangers of burnout. Landers also considers broader issues, including her views that women approach the medical profession differently than men do.

Landers’ approach to writing is concise and forthright. When describing caring for newly admitted babies on radiant warming beds, for instance, she notes, “This work environment tended to dry out your eyes or burn the top of your head….During long procedures, my contact lenses felt like potato chips, and I found myself drenched in sweat.” It’s a no-nonsense style that effectively highlights the physical and emotional strains of working in a NICU. That said, Landers tends to rely on medical jargon, and although she often provides explanations for lay readers, some passages may be obscure to the uninitiated: “Emily had an isolated intestinal perforation—not necrotizing enterocolitis, a severe bowel inflammatory condition.” The power of this memoir, however, lies in its honesty, as Landers is never afraid to address her own shortcomings. A horrifying incident when she lost patience and slapped her son’s legs repeatedly prompts a revealing discussion of the author’s childhood, in which her father was a “harsh disciplinarian,” and her own determination to avoid providing physical punishment as a parent. At the close of the memoir, the author offers a list of what she considers to be the key characteristics for a career in critical care: “Grit, overachieving, and self-discipline are powerful predictors of a successful practice.” Such observations will prove useful for both new and aspiring physicians, but the memoir as a whole will prove to be illuminating for anyone striving to be a caring and effective parent while pursuing a high-stress career.  

Frank, insightful writing about neonatal medicine and being a parent.

Pub Date: Sept. 14, 2021

ISBN: 978-1-63-195450-4

Page Count: 230

Publisher: Morgan James Publishing

Review Posted Online: Aug. 18, 2021

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  • New York Times Bestseller

ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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  • New York Times Bestseller

A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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