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DARK HORSES

A searing examination of love and lust, power and control, as the narrator’s rising sense of self yearns to take the reins.

A complex portrait of sexual abuse set in the world of pre-Olympic equestrian competition.

Debut novelist Mihalic takes us inside a life of extreme privilege, equestrian “eventing”—a kind of horse-based triathlon—and sexual predation with Roan Montgomery, a feisty 15-year-old Olympian-to-be who confides her story in a cleareyed narration. From the outside, Roan’s life looks too good to be true. She’s the youngest competitor in her high-stakes equestrian world, attends a ritzy prep school, and lives on the sprawling grounds of her family’s Rosemont Farms in the picturesque Shenandoah Valley, complete with an extensive staff, multiple horses, and a father-cum-trainer who’s working to make her the next Olympic gold-medal winner in their family. Look closer, though, and the cracks appear. Her mother’s an addict/alcoholic with no bandwidth to care for Roan, sleeping with the headmaster at her daughter's school. Her father, meanwhile, has been sexually abusing her for years. From the moment Roan gets to know Will Howard, one of her classmates, and feels the first tug of genuine connection, the fireworks start. Her father wants to keep Roan all to himself, and Roan craves her father’s undivided attention and the goals he’s set for her while also wanting to escape his abuse. To the author’s credit, this is no poor-little-rich-girl story. Rather, Mihalic complicates the narrative at every turn, creating a disturbing and flinty picture of what abuse, psychological control, and rage look like. The emotions Roan feels toward her father are multilayered and confusing, speaking to the gnarled nature of their relationship. When he tells her before an interview to “Just be yourself,” she knows that’s code for inhabiting the persona he’s created. Though the narrative occupies taboo terrain, it does so with great heart and thereby honors Roan’s love-hate experience in all its bewildering and inscrutable nature.

A searing examination of love and lust, power and control, as the narrator’s rising sense of self yearns to take the reins.

Pub Date: Feb. 16, 2021

ISBN: 978-1-9821-3384-9

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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