by Susan Richardson ‧ RELEASE DATE: June 1, 1995
A competent biography in the Pop Culture Legends series that covers the factual tinder, but misses the charismatic spark. Richardson traces the rock luminary's epic musical history, from his early days as a folk troubadour to his current status as rock god. She points out that Dylan has never been one to maintain the status quo; his musical journey reflects his personal beliefs. His outspokenness has attracted and offended fans, critics, and girlfriends alike; Richardson walks a fine line here, telling what happened, but not why. Spitz's Dylan: A Biography (1989) goes into detail about Dylan's relationship with Joan Baez, his failed marriage to Sara Lowndes, and his biting cynicism, often turned on loved ones. Though this book is one-sixth the length of the other, the text is flat; it's more of a term-paper resource than an enticing biography. Readers may prefer it for its size, but it mostly reiterates information found in earlier works, without new insight into Dylan's art. A further reading list includes other biographies, but not periodical citations (where Dylan's own words can be found). (b&w photos, index, chronology, further reading) (Biography. 11+)
Pub Date: June 1, 1995
ISBN: 0-7910-2335-4
Page Count: 127
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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by Carol Matas ‧ RELEASE DATE: April 1, 1993
After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)
Pub Date: April 1, 1993
ISBN: 0-590-46920-7
Page Count: 128
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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by Daniel Chacón ‧ RELEASE DATE: May 31, 2017
A well-meaning, awkward cautionary tale.
Boxed in by societal prejudices, a young Chicano struggles to find his identity.
Split into two separate periods, Chacón’s insightful novel portrays the trials of Victor Reyes, a death metal–loving, artistic teen who’s seemingly ill-fated in life. In the book’s first half, 14-year-old Victor recovers from a shooting—he was dead for a hair over 2 minutes—that leaves him with a fuzzy memory. Almost everyone, including his mom, believes he’s a cholo, a gangbanger destined for trouble. Though Victor tries his best to mend his relationship with his mom, he frequently ends up in incriminating situations. Meanwhile, Victor meets and falls for a feisty part-Mexican, part-Indian girl. The story moves at a meandering pace, which Chacón uses to sketch in disjointed details. Victor’s first-person narration doesn’t stand out in any particular way, but each of the diverse supporting characters features a distinct, if stereotypical, voice to fill in that void. The novel’s second half focuses on 17-year-old Victor, a senior succeeding in school and love. A supportive teacher helps him refine his artistic goals, pushing him to apply for art school. But Victor’s anger and past won’t let him go, and soon he’s knee-deep in the cholo life. Overall, the author employs a well-worn redemption arc, and the often clunky, self-conscious narration doesn’t really help to make it feel fresh: “They looked sort of geeky cool, like journalism students, the kind of kids that YA novels are written about.”
A well-meaning, awkward cautionary tale. (Fiction. 14-18)Pub Date: May 31, 2017
ISBN: 978-1-55885-840-4
Page Count: 272
Publisher: Piñata Books/Arte Público
Review Posted Online: March 14, 2017
Kirkus Reviews Issue: April 1, 2017
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