CONDÉ NAST

A sympathetic life of the publisher of Vanity Fair, Vogue, and other stylish magazines.

Ronald, who has published a number of other biographies (Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures, 2015, etc.), returns with the thoroughly researched story of Condé Nast (1873-1942), following him from birth to death (both in New York) and charting his rise in the publishing world, his significant financial difficulties during the Depression, his married and love lives (not always the same), and his battles with prostate cancer and, finally, a weak heart. Throughout, Ronald’s tone is deeply admiring as she chronicles Nast’s work ethic, appearance, devotion to his staff members (he “had an anaphylactic reaction to firing people”), and his stellar parties. A first marriage did not work out; nor did his second to a woman some 30 years his junior. The author also tells us—more than once—that Nast attracted “some of the most stunning women in the world,” though he “never used his position or power on women.” Later, suffering the aftereffects of prostate cancer and its dire treatments, he endured permanent erectile dysfunction. Appearing on Nast’s vast stage were some of the most creative characters of the day, including Robert Benchley, Robert Sherwood, Coco Chanel, Truman Capote, Dorothy Parker, and Cecil Beaton. (A long list is in the backmatter.) Nast got along with most of them (though some were fired), and the author praises them, as well. The one exception is Clare Brokaw (later Clare Boothe Luce), whom Ronald assails more than once for her self-interest and her insatiable sexual appetites. Readers interested in business history will enjoy the strategies and principles dear to Nast and the accounts of his competition with William Randolph Hearst.

A highly flattering biography of an important figure in American publishing.