Amiable beach reading.



From the author of How Close We Come (1998), an appealing, rueful, lost-illusions tale of two women who meet again in a small Blue Ridge Mountain town after many years apart and reassess their treasured childhood friendship.

Narrator Hannah Marsh, her loving husband, Hal, and their two good children, 11-year-old Ellen and 15-year-old Mark, seem to have everything when they move to Rural Ridge, North Carolina. Hal, a successful businessman needing a change, has accepted a job teaching school in nearby Asheville. Their new house is charming, the mountain views splendid, and Hannah, a gardener, eagerly anticipates being able to grow all the bulbs that failed to thrive in Durham. But an encounter with Peter Whicker, the local Episcopalian priest, who turns out to be married to her old friend Daintry O’Connor, soon blights what was to have been paradise. Hannah and Daintry grew up in Cullen, a small mill town. Daintry, like her siblings, was adopted (her father was an idealistic and underpaid pediatrician). Hannah’s family was more affluent and socially prominent, but she envied the freewheeling O’Connors and, enthralled by Daintry’s beauty and authoritative ways, became her devoted follower. Now, as she settles in, Hannah recalls with mixed feelings the happy times they shared as well as Daintry’s increasingly hurtful behavior (she once set Hannah up with a date who got her drunk), which led to their estrangement when Hannah went away to boarding school. Daintry, now a high-powered businesswoman, seems cool, even rude, so Hannah feels no guilt about her own attraction to Peter, who seems to understand her better than Hal. While Hannah plants a garden near the church cemetery at Peter’s request, they talk, flirt, and then plan an extramarital fling. Hannah finds herself falling in love, but she has not reckoned with Daintry, who has some equally mixed memories of their friendship to share.

Amiable beach reading.

Pub Date: July 30, 2001

ISBN: 0-446-52762-9

Page Count: 300

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2001

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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