National Public Radio personality Stamberg, along with novelist Garrett, got the bright idea to have 23 writers—Richard Bausch, Ann Beattie, Madison Smartt Bell, Stuart Dybek, and a host of others—work independently of each other on a story that incorporates the title image. The resulting anthology—some of these stories were first read on NPR—is more a novelty item than a worthy dive into contemporary fiction. Dybek's ``I Never Told This to Anyone'' is a touching fabulism about ``a little bride and groom'' who ``would come to visit me at night,'' though it's more self-conscious and mannered than Dybek's better work; Charles Baxter's ``Possum'' is an amusing dialogue story, mostly between a sister and her younger brother; Kelly Cherry's title story is a delicate but all-too-brief prose poem; Bausch's ``Tandolfo, the Great,'' about a clown who loses his cool at a birthday party for a five-year-old, is clever but forced; Beattie's ``Picture Perfect'' is a slight present-tense account that combines Virginia Woolfian lyricism and some notes (one character is a photographer) on perspective. The three most affecting tales—in their own right, not as variations on a theme- -are Al Young's ``The Subliminal Cakewalk Breakdown,'' in which a narrator, forced to leave the California freeway, breaks down at a zany, surreal truck-stop and becomes involved in the lives he finds there; Bell's ``Pawnshop,'' about a narrator at said pawnshop who must deal with a junkie friend and with his own conscience; and Mary Lee Settle's ``Dogs,'' an evocative southern reminiscence. Stamberg tells us she came to this idea after having writers concoct first a chain novel and then a chain mystery. Such ideas make sense to fill air time, but aren't particularly worth memorializing in a gimmicky book like this.