Over rhyming captions that only occasionally exceed three or four words, Stockdale presents painted portraits of 21 wild birds. Portrayed in a flat graphic style and, mostly, in frozen motion against simplified natural settings, each—from great horned owl and blue-footed booby to Adelie penguin, ostrich and broad-tailed hummingbird—is large and easily visible on the page, rendered with clear hues and sharp color borders likely to draw and hold the attention even of unfledged young viewers. The images are often mesmerizing in their abstraction, inviting readers to pause and admire. A flock of red-billed oxpeckers is arrayed on a slope that readers may take a few beats to recognize as the neck of a giraffe; the white-tailed ptarmigans look at first like just a few snowdrifts. The author links her gallery together with the concluding note that “Dull or dazzling colors, / long or little legs. / All of them have feathers, / and all are hatched from eggs,” then identifies each bird in a closing key with one or two sentences of descriptive commentary. Broader in geographical range and even simpler in design, this makes a natural follow-up to Lois Ehlert’s Feathers for Lunch (1990) as a primary introduction to our avian cousins. (bibliography) (Informational picture book. 2-4)
Pub Date: Feb. 1, 2011
ISBN: 978-1-56145-560-7
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For toddlers unafraid of typical Halloween imagery.
A troop of cats traverse a spooky landscape as they make their way to a party hosted by ghosts.
Each double-page spread shows the felines’ encounters with the likes of an owl, jack-o’-lanterns or a bat. One or two of these creepy meetings may be too abstract for the youngest readers, as the cats hear eerie noises with no discernible source on the page. The text, which consists of one rhyming couplet per scene, mostly scans despite a couple of wobbles: “Five black cats get a bit of a scare / As the flip-flapping wings of a bat fill the air.” The sleek, slightly retro art, likely created using a computer, depicts the cats cavorting at night through a shadowy cityscape, the countryside and a haunted house; they may scare some toddlers and delight others. A brighter color palette would have given the project a friendlier, more universal appeal. Luckily, the well-lit, final party scene provides a playful conclusion.
For toddlers unafraid of typical Halloween imagery. (Board book. 2-4)Pub Date: Sept. 1, 2013
ISBN: 978-1-58925-611-8
Page Count: 22
Publisher: Tiger Tales
Review Posted Online: Sept. 24, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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