A radiant memoir imbued with palpable love.



A moving family saga celebrates generations of bold, brave, and determined women.

Award-winning novelist Straight (Between Heaven and Here, 2012, etc.) makes her nonfiction debut with an eloquent, absorbing memoir. Addressed to her three adult daughters, the narrative weaves together stories that transcend time, place, race, and ethnicity to vibrantly portray her children’s rich ancestry. Straight is white: Her mother grew up in the Swiss Alps; her father, in Colorado. The couple settled in Riverside, California, a hardscrabble community of a wide variety of mixed ethnicities, all “dreamers of the golden dream.” When she was 14, she met Dwayne Sims, an African American high school classmate; years later, they married and eventually settled near their families. Straight taught English to refugees and at a city college; Dwayne worked at a juvenile correctional facility. Frugality was a way of life. When her youngest daughter was asked how the family fared, she replied, “Wait—what’s below humble?” They had been poor, Straight admits, finding furniture on the street and living without air conditioning in temperatures over 100 degrees, but “the safety and tether and history” of their families was ample compensation. “The women who came before you, my daughters, were legends,” writes the author, and their journeys—from Africa, Europe, and across the American continent—entailed convoluted “maps and threads” that culminated in her own girls, “the apex of the dream.” Her daughters inherited not only their ancestors’ “defined cheekbones and dimples and high-set hips,” but, more crucially, their beauty, intelligence, and defiant independence. Among those many women, Dwayne’s mother, Alberta, shines: “bemused and regal and slightly mischievous,” a warmhearted woman who unreservedly welcomed her white daughter-in-law. Listening to family stories and mining ancestry.com, Straight recounts the peril and hope, forced migration and fierce escapes, “thousands of miles of hardship,” that women endured. “All of American history,” she tells her daughters, “is in your bones.”

A radiant memoir imbued with palpable love.

Pub Date: Aug. 6, 2019

ISBN: 978-1-948226-22-6

Page Count: 384

Publisher: Catapult

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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