by Susan Vande Griek ; illustrated by Ian Wallace ‧ RELEASE DATE: May 7, 2019
This home-away-home story takes flight with its poetic text and a few extraordinary seascape illustrations.
Based on an actual occurrence, this picture book tells the story of a short-eared owl—a marsh and field dweller—that lands on an oil-drilling platform far out in the ocean.
An owl is found on the deck of an oil rig in the North Sea, miles from its native habitat of fields and marshes. The exhausted bird is cared for by the riggers until a helicopter bringing in the new work shift and supplies takes the owl back to land and to a bird-rescue facility. There, the owl is cared for and eventually released back into the wild. This simple home-away-home story is delivered in author Vande Griek’s emotive, poetic text, the spare words of which, surrounded by the white of the page, conjure up a powerful sense of place and action: “No place to rest, / no mouse to hear, / only the swing, / the roar / of the sea.” Illustrator Wallace’s command of the difficult watercolor technique in depicting the powerful heave and growl of the sea is exquisite—the two full-page bleeds of open ocean seascapes (some crossing the gutter) delight the eye. Alas, the illustrations depicting the oil rig and its somewhat racially diverse workers are less graceful, competent but not transcendent. The final page gives an informative overview of the habits of short-eared owls and lists sources and further reading.
This home-away-home story takes flight with its poetic text and a few extraordinary seascape illustrations. (Picture book. 3-8)Pub Date: May 7, 2019
ISBN: 978-1-77306-111-5
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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by Nicola Davies ; illustrated by Jane Ray ‧ RELEASE DATE: May 7, 2019
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Laura Purdie Salas ; illustrated by Claudine Gévry ‧ RELEASE DATE: Sept. 3, 2019
A good choice for a late fall storytime.
Animal behaviors change as they prepare to face the winter.
Migrate, hibernate, or tolerate. With smooth rhymes and jaunty illustrations, Salas and Gévry introduce three strategies animals use for coping with winter cold. The author’s long experience in imparting information to young readers is evident in her selection of familiar animals and in her presentation. Spread by spread she introduces her examples, preparing in fall and surviving in winter. She describes two types of migration: Hummingbirds and monarchs fly, and blue whales travel to the warmth of the south; earthworms burrow deeper into the earth. Without using technical words, she introduces four forms of hibernation—chipmunks nap and snack; bears mainly sleep; Northern wood frogs become an “icy pop,” frozen until spring; and normally solitary garter snakes snuggle together in huge masses. Those who can tolerate the winter still change behavior. Mice store food and travel in tunnels under the snow; moose grow a warmer kind of fur; the red fox dives into the snow to catch small mammals (like those mice); and humans put on warm clothes and play. The animals in the soft pastel illustrations are recognizable, more cuddly than realistic, and quite appealing; their habitats are stylized. The humans represent varied ethnicities. Each page includes two levels of text, and there’s further information in the extensive backmatter. Pair with Joyce Sidman and Rick Allen’s Winter Bees (2014).
A good choice for a late fall storytime. (glossary) (Informational picture book. 3-7)Pub Date: Sept. 3, 2019
ISBN: 978-1-5415-2900-7
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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