LUNCHEON OF THE BOATING PARTY

Vreeland’s love for Renoir is made palpable in this brilliant reconstruction.

In her fourth art-related historical, Vreeland (Girl in Hyacinth Blue, 1999, etc.) provides an in-depth look at one of Renoir’s most famous paintings (its name is her novel’s title).

Maison Fournaise, on the Seine outside of Paris, is one of Renoir’s favorite haunts. One July day in 1880, the 39-year-old artist is at the restaurant/hotel/boat rental when he reads a Zola essay critical of the Impressionists. It goads him into action. He will paint a scene of boaters on the upper terrace, a wide canvas work that will surpass his Montmartre spectacle Bal au Moulin de la Galette. But time is short and money is tight. He has just two months to take advantage of the summer light. He must find money for paints, for modeling fees and for eight Sunday luncheons for his group. The female models must be women he could love. Alphonsine and Angèle are naturals; the former is the owner’s daughter, the latter a bawdy child of Montmartre; both women glow with vitality. He adds the self-styled Circe, beautiful but temperamental, foisted on him by a salon hostess; she will provoke a crisis when she quits, refusing to be done in profile. Renoir finds a miraculous replacement in Aline, a 19-year-old seamstress he will marry, years later. There are other model problems: One man is involved in a duel; there is constant anxiety over the total number (13 must be avoided). Vreeland maintains the suspense while skillfully providing context. The traumas of the Franco-Prussian War and the Paris Commune are only ten years distant; Alphonsine is a war widow, a male model is a wounded veteran. The politics of the art world are unremitting; the once-cohesive Impressionists are now split three ways. Degas mocks Renoir for seeing life through rose-colored glasses; too bad. Joyful conviviality is as valid as squalor. The finished product affirms Renoir’s credo: “Art was love made visible.”

Vreeland’s love for Renoir is made palpable in this brilliant reconstruction.

Pub Date: May 7, 2007

ISBN: 978-0-670-03854-1

Page Count: 480

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2007

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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